Travelling to Afghanistan at the beginning of the 1970s, he was introduced to the traditional craft of embroidery, which marked a turning point in the artist's career. In his consequent Territori Occupati series (1971-92) he commissioned Afghan embroiderers to create a maps of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan. The land mass of each country is filled in with its flag.Read More
His fundamental concern with the relationship between "order" and "disorder" is manifest in his grid structures, derived from the "magical squares," that feature sayings and aphorisms that stem from cultural, philosophical, mathematical and linguistic contexts. Throughout his career Boetti worked with a wide array of materials, tools, and techniques, including ball pens (biro) and even the postal system. However it is his fascination with patterns and his pataphysical approach to mathematics and seriality that mark him out as a kind of satirical cabbalist trying to identify the one key system that will perhaps reveal some kind of universal answer.
Alighiero Boetti was born in Turin, Italy. Although not formally trained in art, Boetti was preoccupied with the theory of creativity from an early age. His early work from the late 1960s is rooted in the Arte Povera style. Initially showing in Milan and Turin, Boetti had his first US solo exhibition in New York at John Weber Gallery in 1973. He continued to show throughout Italy and the United States until his premature death in 1994. He has been honoured posthumously with several large-scale exhibitions, most notably at the Museum für Moderne Kunst in Vienna in 1997 and the Museum für Moderne Kunst in Frankfurt am Main in 1998. The artist took part in Documentas 5 (1972) and 7 (1982) and the Venice Biennale (1978, 1980, 1986, 1990, 1995). In 2001, the Venice Pavillon was completely dedicated to Alighiero e Boetti’s work. In 2012 the exhibition Game Plan, was shown at the MoMA New York.
‘I am a creator of rules,’ Alighiero Boetti once said of his working method. ‘And once I’ve created these rules, these games, these mechanisms, I can play or make other people play.’ The current exhib
Alighiero Boetti (1940-94), the post-war Italian conceptual artist whose star has been in the ascendant in recent years, will be the subject of major exhibitions in Venice and Paris. Coinciding with
Alighiero Boetti (1940–1994), the post-war Italian conceptual artist whose star has been in the ascendant in recent years, will be the subject of major exhibitions in Venice and Paris.
One of the most radical changes in the art world in the last 20 years is the way in which art fairs have become indispensable to a gallery’s economic well being. A report commissioned by The European Fine Art Fair in Maastricht in 2014 said that a broad section of the world’s galleries made an average 33 per cent of their income through...
What's the good of this video if not to bring back to life the exhibition [Alighiero Boetti]. Il Mondo Fantastico, which, in turn, had re-proposed a great installation made of little plastic anim
Michele Casamonti talks about the exhibition Alighiero Boetti: Minimum/Maximum in Venice. From 12 May to 12 July 2017, the Fondazione Cini, in collaboration with Tornabuoni Art and the Archivio Ali
Roberto Casamonti, Matteo Boetti et Agata Boetti parlent du travail d'Alighiero Boetti à l'occasion de l'exposition organisée chez Tornabuoni Art Paris du 3 février au 8 avril 2017.