ASAMI SHOJI
b. 1988, JapanAsami SHOJI was born in 1988 in Fukushima, Japan. She obtained her MFA in printmaking from Tama Art University in Tokyo in 2012. She currently lives and works in Tokyo. Shoji’s work envisions lines, the contours of the creatures in her paintings, as a threshold that opens up dimensions characterized by their movements, rather than boundaries segregating the opposites. Instead of the border of the subject, bodies in Shoji’s work mark the flow of affections where Shoji opens up the place for permeability and connectedness to others and expands the sense of the body and the inside and outside. Painting not merely a visual image, Shoji expresses spontaneous and multilayered feelings in different surroundings against the backdrop of unprecedented mobility. The spatial experiences conjured by her paintings transcend the static realm, giving birth to a dynamic tableau where sensory perceptions intermingle and flow unrestrictedly and inviting the viewer into intricate narratives and perceptual explorations
Her selected solo exhibitions include: “Fukushima Art Annual 2026: World ⇆ Me — Asami Shoji / Yuki Takagi”, 2026, Fukushima Prefectural Museum of Art, Fukushima; “Azamino Contemporary vol16 Shoji Asami: From Tbilisi with Love”, 2025, Yokohama Civic Art Gallery Azamino, Yokohama; “Nutrition for Ghosts”, 2025, LC Queisser, Tbilisi; “Moment of Flowers”, 2025, LINSEED, Shanghai; “Slient Witness”, 2025, Manshuin, Kyoto; “October, Much Ado About Nothing”, 2024, Semiose, Paris; “A Stranger’s Tales”, 2024, Independent Art Fair with LINSEED, New York; “a Gait Without Foot”, 2023, gallery21yo-j, Tokyo; “From Tbilisi with Love”, 2022-23, DECAMERON, Tokyo; “Diagram of the Mud”, 2018, Cale, Tokyo. Her selected group exhibitions include: “The Office”, 2026, Basel Social Club with LINSEED, Basel; “What Passes Is Time We are Eternal.”, 2025, Mori Art Museum, Tokyo; “Elizabeth Glaessner, Asami Shoji, Oda Iselin Sonderland”, 2025, François Ghebaly, New York; “I See My Body In Your Eyes”, “2025, Frieze LA with LINSEED, Los Angeles; “PLURAL BODY/IES”, 2025, Tokyo Arts and Space, Tokyo; “MOT ANNUAL 2024: on the imagined terrain”, 2024, Museum of Contemporary Art Tokyo, Tokyo; “Hyakunengo Art Festival”, 2024, Hyakunengo Art Festival, Chiba Prefecture; “Onsen Confidential”, 2024, LINSEED, Tokyo; “Body, Love, Gender”, Curated by Kim Sunhee and Tsubaki Reiko, Gana Art Center, Seoul; “Gestures of Resistance”, 2023, LINSEED in collaboration with AI., London; “50 seconds”, 2023, soda, Yebisu International Festival For Art & Alternative Visions 2023, Tokyo Photographic Art Museum, Tokyo; “Eyes of the wind Vol.1”, 2022, Obscura, Tbilisi; “The Way of Paintings”, 2022, SOMPO Museum of Art, Tokyo; “Tokyo Wonder Wall 2015”, 2015, Museum of Contemporary Art (MOT), Tokyo; “The 18th Taro Okamoto Memorial Award for Contemporary Art”, 2015, Taro Okamoto Museum of Art, Kanagawa.
Courtesy LINSEED Projects
Works at LINSEED Projects
Explore and Follow Artists Shaping Contemporary Art
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services