Annie Morris’s sculptures, paintings and tapestries are characterised by the intensity of their colour palette and the often highly personal experiences they explore. She is possibly best known for her Stack series of sculptures, made of painted plaster or bronze and which appear as if they are about to topple over.
Annie Morris was born in 1978. Following a foundation course at Central Saint Martins she completed her BA at the École des Beaux-Arts in Paris and then studied for her Master’s at the Slade. She was at the École des Beaux-Arts at the same time as Richard Deacon, Annette Messager and Christian Boltanski and her tutor was Guiseppe Penone. She studied painting but became more fascinated by sculpture. In 2012, Morris was pregnant but gave birth to a stillborn child. During the process of grieving, Morris began to create plaster shapes reminiscent of her pregnant body. The repetitive nature of creating the egg-like shapes helped her to grieve and later evolved into her Stack series.
Annie Morris is known for using very bright colours including ochre, viridian and oxblood red. Repetition is also key to her artistic practice: she repeats and refines ideas until they coalesce into a more concentrated form (for example, the “flower woman” who appears in many of her works). Her tapestries appear to be painted or drawn with charcoal but are in fact stitched—her technique recalls pastels and paint but is created in thread, a process that emerged from a series of drawings she made during lockdown. “I wanted to explore how to make sewing look like oil stick,” she has said.
A woman with the head of a flower appears in many of Morris’ art pieces. She is a hybrid portrait of the artist—Morris has said that she started off as a self-portrait—but her falling petals have also been compared to “the transience of beauty”.
Yes, Annie Morris created a mural and a stained glass window in The Painter’s Room bar at Claridge’s. The art deco space was a former storage cupboard, converted into a bar at the London hotel in 2021.
Yes. Annie Morris is married to Idris Khan. She has said that they collaborate on ideas and have mounted exhibitions together (separate work, but in the same space), as well as influencing each other’s practice.
Annie Morris is a fan of Louise Bourgeois and has spoken about spending time with her in her studio talking about making art. She has also become friendly with Rose Wylie—“She has a twinkle in her eye and she’s exciting to be around,” she has said.
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