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Ocula ReportArt Jakarta: World spirit, Independence Day and Asian Games16 Aug 2018 : Hera Chan for Ocula{{document.location.href}}
A four-legged beast with an ornate mirror for a face and the hybridized horns of a Bawean deer stands in the centre of Chan + Hori Contemporary's booth at the tenth Art Jakarta (2–5 August 2018), housed in the Grand Ballroom of The Ritz-Carlton. This contemporary mythical beast is Lugas Syllabus's Wild Legend (2018): a strong teak wood testament to...
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Ocula ConversationInga Svala Thórsdóttir{{document.location.href}}
Since meeting in Iceland in 1990, Inga Svala Thórsdóttir and Wu Shanzhuan have developed a cosmic database of signs, words and forms as a result of their continual and unbiased questioning of the nature of things. 'Our studio was basically a piece of A4 paper,' explains Thórsdóttir, recounting the initial years of their collaboration. From this...
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Ocula ReportRIBOCA 2018: Riga’s first biennial gives time to change10 Aug 2018 : Stephanie Bailey for Ocula{{document.location.href}}
In early 2017, a presentation for the first Riga International Biennial of Contemporary Art (RIBOCA) circulated on Facebook, and a discussion unfolded over the private Russian backing behind the project, and the absence of Latvian institutional (or state) support. The relationship between Russia and the formerly Soviet Baltic states has become ever...
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Claudia Jowitt completed her Master of Fine Arts at the Elam School of Fine Arts at the University of Auckland at the end of 2015. Like aerial views of a not quite recognisable landscape, her paintings explore texture, form and mark-making teasing notions of representation. She has also won the 2016 Tautai/Dunedin School of Art Residency which she will take up in April.

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