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b. 1984, China

Li Qing Biography

Li Qing was born in Huzhou, Zhejiang, and now lives in Hangzhou. Li Qing’s art practice embraces various media from oil on canvas in the early time, to installation, photography and video later on. The subjects his works deal with also develop in depth over this time. Standing in front of his works, audiences would be led into a visual game, conversing with the works and reflecting upon them. The imagery created by Li Qing is no more a means of representing reality. As a pioneer of 'Intellectual Painting', he presents his audience a familiar context and let concepts tell the story on its own.

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Li Qing’s early series usually take form in diptych, oil on canvas, such as Finding DifferencesImages of Mutual Undoing and Unity and Image of Partial Unity. He borrows the form of the often-seen video game Find the differences, and adds up pop culture motifs, such as politicians, celebrities, daily objects, everyday scenes and news. one of the pair is altered at several spots and leads audiences into a visual game, starting up a conversation between the two. He also presses two wet paintings together face-to-face and then split them apart, cancelling the space between the truth and nothingness. In fact, the two juxtaposed paintings don’t show differences merely in form. They are a playful statement by artist to deliver the concept behind them. Every single brushwork or 'undoing' bears a unique gesture of the artist. The line between the absolute identical and the different thus is blurred away and the literal meaning of images is also absorbed into the surface. By comparing the two paintings, audiences come close to artist’s real intension—connotations of complex humanity, changing social landscape, shared experiences or collective emotions of a certain period. The entry point to understanding Li Qing’s paintings therefore switch from the surface of imagery as a representation of reality to the comparison between the two. And the image is merely a path to the more profound level of concept.

Drifting, nothingness and disillusionment permeate most of Li Qing’s works as a basic tone. In his later photography, video and installation works, the artist deals with several eternal themes or philosophical concepts, such as the presenting of things as subject, humanity in social development and the feeling of anxiety extensively existing in the time the artist lives in. In the 1980s China went through the social reform and opening-up as well as dramatic economic growth, bringing overwhelming expansion of consumerism. Everyday things became distant to people. They are used and then abandoned very shortly. For the artist, things are the embodiment of living experience. They show a state of nothingness and detachment in people’s living condition. The fridge as a motif appeared in many of artist’s works, including White Group Portrait, Black Group Portrait and Fontana. The fridge in Li Qing’s works is like Vincent van Gogh’s shoes, standing in solemn like a group of tall buildings, and having a sense of human dignity. They are not consumed daily objects anymore. In the video work Drifting Floss, downy floss covers every corner, becoming the subject matter in this clueless story. Textile workers wander around in a trance, delivering audiences a kind of collective emotion, the feel of powerlessness facing disillusionment.

Particularly for the solo show Li Qing: In the Vicinity, the artist creates a group of site-specific works associated with the gallery location. An installation series 'Neighbor’s Window' borrows the trompe l’oeil technique,  combining old wooden window frames with the paintings of colonial architecture behind glass. The visual illusion connects individual life with today’s modern metropolis of Shanghai, which comes along with the feeling of anxiety in the westernized culture and memory of the past revolutionary time. Other works in this show also show the development of Shanghai at a similar angle: the coexistence and mingling of difference ideologies and notions, opening up dialogues between history and the present.

Li Qing graduated from Oil Painting Department of China Academy of Art in 2007. He held solo shows at galleries and institutions such as Hanart TZ Gallery, Hong Kong, China; Tomás y Valiente Art Centre, Madrid, Spain; Duolun Museum Of Modern Art, Shanghai, China and Iberia Center for Contemporary Art, Beijing, China. A number of prestigious art institutes also have included his works for group shows, such as The 55th Biennale Di Venezia Special Invitation Exhibition, Arsenale di Venezia, Italy; National Gallery of Indonesia, Jakarta, Indonesia; Fukuoka Asian Art Museum, Fukuoka, Japan; ART COLOGNE 2013, Cologne, Germany; São Paulo Museum of Contemporary Art, São Paulo, Brazil, Asian Art Museum of San Francisco, San Francisco, USA and Square Gallery of Contemporary Art. His works are collected by many art institutes and foundations, such as M+ Art Museum, Hong Kong, China; Deutsche Bank, Germany; Institut Valencia d’Art Modern, Valencia, Spain; Art & Culture Foundation (IAC) of Spain, Madrid, Spain; Logan Foundation, San Francisco, USA; Zendai Museum of Modern Art, Shanghai, China; Long Museum, Shanghai, China; Yuz Foundation; Budi Tek Collection, Shanghai, China; Square Gallery of Contemporary Art, Nanjing, China; and China Academy of Art, Hangzhou, China.

Li Qing Featured Artworks

Neighbours Window Sweet by Li Qing contemporary artwork
Li QingNeighbours Window Sweet, 2016Wood, paint, metal, plexiglass, oil paint, aluminium-plastic plate
148 x 148 x 8 cm
Tang Contemporary Art Contact Gallery
White Group Potrait by Li Qing contemporary artwork
Li QingWhite Group Potrait, 2010Oil on canvas
240 x 200 cm
Eslite Gallery Contact Gallery
Neighbour's Window‧ Desserts#1 by Li Qing contemporary artwork
Li QingNeighbour's Window‧ Desserts#1, 2014Oil on Glass, Wood, Metal
151 x 107 cm
Eslite Gallery Contact Gallery
Neighbours Window by Li Qing contemporary artwork
Li QingNeighbours Window, 2014Oil on glass, wood, metal
148.5 x 100 x 8 cm
Eslite Gallery Contact Gallery

Li Qing Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, No Man is an Island at Almine Rech, London
Closed
1–26 September 2020 Group Exhibition No Man is an Island Almine RechLondon
Contemporary art exhibition, Li Qing, EAST OF EDEN at Galerie Eigen + Art, Berlin
Closed
7 July–22 August 2020 Li Qing EAST OF EDEN Galerie Eigen + ArtBerlin
Contemporary art exhibition, Group Exhibition, Spring at Almine Rech, Shanghai
Closed
17 April–6 June 2020 Group Exhibition Spring Almine RechShanghai

Li Qing Represented By

Li Qing In Related Press

Dancing around Shanghai Related Press Dancing around Shanghai 4 November 2019, ArtReview

In Production: Art and the Studio System, Yuz Museum, 7 November – 1 March Every week is art week somewhere, but not every week is art week in Shanghai. So you'll be wanting to be there during the first week of November, when the city's twin art fairs, Art021 and West Bund Art & Design are on view. But the fun of the fairs is not the only...

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'Please fasten your seat belt as we are experiencing some turbulence': young Chinese and international artists at Leo Xu Projects, Shanghai Related Press 'Please fasten your seat belt as we are experiencing some turbulence': young Chinese and international artists at Leo Xu Projects, Shanghai 13 April 2017, Art Radar Journal

Please fasten your seat belt as we are experiencing some turbulence is a group exhibition at Shanghai's Leo Xu Projects, a collaboration with Los Angeles-based David Kordansky gallery that mixes together both venues' roster of artists in a configuration that makes connections, suggesting the ways art can 'bear witness to an uncertain state of...

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