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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

Woven Labours

Karen Smith Art In America First published on 12 October 2017

Exhibition view: Lin Tianmiao, Protruding Patterns, Galerie Lelong & Co., New York (7 September-21 October 2017). Courtesy Galerie Lelong & Co., New York. Photo: Lin Tianmiao.

Amid the dry, dusty air of June in Beijing, Lin Tianmiao's studio is a hyperclean sanctuary. Lin, China's foremost experimental woman artist, keeps anything that is less than pristine firmly locked outside. Especially at this moment, as she pushes to prepare works for imminent shipment to New York for her fall retrospective at the Asia Society. Lin (b. 1961) has exhibited internationally since 1997, but this is the first major survey of her work. In the studio, the atmosphere is tense. 'We're refinishing the surfaces of these sculptural pieces,' Lin explains, pointing to the small, rounded figure of a woman's body—resembling a miniature Renoir nude done in polyure—balanced in the hands of a female assistant who patiently smoothes a fringe of threads hanging from one side of the body.

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