Lorna Simpson is a leading American artist whose conceptual photography, collage, and painting have redefined contemporary art’s approach to identity, race, gender, and history, culminating in major exhibitions, including Lorna Simpson: Source Notes, a 2025 exhibition at The Metropolitan Museum of Art dedicated to her practice.
In 2026, a major survey exhibition dedicated to the artist, _Lorna Simpson. Third Person, _is on show at Punta della Dogana in Dorsoduro, Venice.
Born and raised in Brooklyn, New York, Simpson attended the High School of Art and Design inManhattan before earning her BFA in photography from the School of Visual Arts in New York (1983) and her MFA in visual arts from the University of California, San Diego (1985). Simpson’s early exposure to New York’s cultural scene, combined with her academic background, shaped her critical perspective on representation and narrative in art. She continues to live and work in New York.
Simpson’s art practice is known for combining photography, text, collage, painting, and sculpture to examine the complexities of representation, memory, and identity in contemporary art.
Simpson gained prominence in the 1980s with large-scale photo-text works such as Guarded Conditions (1989) and Square Deal (1990), which depict Black women from behind or in fragments, accompanied by enigmatic texts. These works challenge stereotypes and question how race and gender are represented in art and society.
In the mid-1990s, Simpson created multi-panel photographs printed on felt, exploring themes of public and private identity. She also expanded into video installations, such as Cloudscape (2004), which further investigate memory and desire.
In the early 2010s, Simpson made a significant shift in her practice by turning to painting. This transition was marked by her desire to expand beyond photography and collage, exploring new ways to convey memory and identity. Her paintings are rooted in collage and often incorporate found imagery from vintage Ebony and Jet magazines and archival press photographs. She overlays these with washes of acrylic, ink, and silkscreen, creating works where bodies and faces emerge and dissolve in fields of abstraction.
Simpson’s painting style is characterised by vivid, fluid brushwork, repetition, and the transformation of hair into cosmic, crystalline, or elemental forms. She often uses cool blues, deep blacks, and layered textures, merging figuration and abstraction. The resulting works evoke both personal and collective histories, with hair and natural elements acting as metaphors for identity and transformation. Simpson’s paintings merge figuration and abstraction, using colour and texture to evoke both personal and collective histories.
In 2021, Simpson collaborated with pop icon Rihanna for the cover and a 12-page portfolio in Essence magazine, extending her ‘Of Earth & Sky’ collage series. Simpson reimagined Rihanna through her signature technique of combining photographic portraiture with painted and collaged geological and cosmic forms, resulting in images that celebrate Black beauty, power, and transformation.
Lorna Simpson has been the subject of both solo and group exhibitions at important institutions. A selection of important exhibitions is provided below.
In 2026, a major survey exhibition dedicated to the artist, _Lorna Simpson. Third Person, _is on show at Punta della Dogana in Dorsoduro, Venice. Organised in partnership with The Metropolitan Museum of Art in New York and curated by Emma Lavigne of the Pinault Collection, the exhibition offers a renewed and expanded iteration of The Met show, Lorna Simpson: Source Notes, bringing together works spanning Simpson’s practice, including paintings, collages, sculptures, installations, films, and newly commissioned pieces.
Lorna Simpson’s website can be found here and her Instagram here.
Simpson’s practice has been featured in leading publications, including Frieze, The Gentlewoman, and The New York Times.,
Her works are held in the collections of the:
Key works by Lorna Simpson include Guarded Conditions (1989), Necklines (1989), Counting (1991), Easy to Remember (2001), and her collage series Earth & Sky (2016—present).
Lorna Simpson uses staged photography, collage, text, video, painting, drawing, and sculpture, often combining found imagery with original material to explore the construction of identity and history.
Lorna Simpson. Third Person is a major solo exhibition of American artist Lorna Simpson at Punta della Dogana, part of the Pinault Collection in Venice. It is the most significant presentation of her work in Europe in more than a decade, with a particular focus on her painting practice.
Artists such as Adrian Piper, David Hammons have had an influence on Lorna Simpson, as well as writers such as Toni Morrison, Ntozake Shange, and Alice Walker, whose works amplify Black experiences. The visual language of vintage Ebony and Jet magazines informs the imagery and themes in her collage and painting practice too.
Ocula | 2026

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