TINTIN WULIA
Brisbane-, Godalming- and Gothenburg-based Tintin Wulia (b. 1972, Denpasar) has exhibited inmajor exhibitions such as Istanbul Biennale (2005), Yokohama Triennale (2005), Jakarta Biennale(2009), Moscow Biennale (2011), Gwangju Biennale (2012), Asia Pacific Triennale (2012), SharjahBiennale (2013). In 2017 she represents Indonesia in the 57th Venice Biennale with a solopavilion 1001 Martian Homes. Her work is part of public and private collections including in theVan Abbemuseum, Singapore Art Museum, Queensland Art Gallery/Gallery of Modern Art and HeXiangning Art Museum.
Wulia is a Smithsonian Artist Research Fellow 2018 with the Walter Reed Biosystematics Unit,National Museum of Natural History, Smithsonian Institution. She is also a recipient of AustraliaCouncil for the Arts’ Creative Australia Fellowship 2014-2016. Herproject Trade/Trace/Transit (since 2014) is initially supported by Australia Council for the Arts’ NewWork - Mid Career grant.
She was a Postdoctoral Fellow in design, crafts and society with a focus on migration (working withHDK-Valand/Academy of Art and Design, School of Global Studies, Centre on Global Migration)2018-2020, and is Principal Investigator of a 2021-2023 Swedish ResearchCouncil-funded Protocols of Killings: 1965, distance, and the ethics of future warfare at theUniversity of Gothenburg, Sweden. She is also Principal Investigator for Things for Politics’ Sake:Aesthetic Objects and Social Change (THINGSTIGATE), funded by the European Research Council(ERC), 2023-28.
Courtesy Baik Art
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