
Exhibition view: Mire Lee, Carriers, Tina Kim Gallery, New York (15 September–22 October 2022). Courtesy Tina Kim Gallery. Photo: Hyunjung Rhee.
Every year, the Hyundai Commission, a long-time partnership between Tate and Hyundai, selects an artist to create work for Tate’s Turbine Hall, a vast industrial space of 3400 square metres that once housed the power station’s electricity generators.
Most recently the Hall was given over to El Anatsui‘s Behind the Red Moon, a monumental sculptural installation woven from thousands of repurposed bottle tops and fragments, reflecting on the migration of goods and people during the transatlantic slave trade.
The exhibition attracts millions of visitors yearly. Previous iterations have included Ai Weiwei‘s Sunflower Seeds (2010), and Olafur Eliasson‘s The weather project (2003).
This year, the selection committee chose Lee to fill the space, recognising her for her visceral sculptures that use kinetic, mechanised elements to invoke the tension between soft forms and rigid systems. In 2022, the artist was the subject of a major show at New Museum in New York, and also at Museum für Moderne Kunst in Frankfurt. In 2021, she showed at Schinkel Pavillon in Berli.
Often taking the appearance of suspended entrails, bulging, dripping, and oozing motor liquids, Lee’s work seeks to engage the senses and create spaces to reflect on themes of emotion and human desire. ‘My oldest fixation is a fear of death,’ Lee told Ocula Magazine in 2022. ‘For a long time, I was terrified by the thought that I would stop existing, but as a fixation, it can get a bit much, so I decided to approach that fear and deal with it through art.’
’[Mire] Lee produces powerful sculptures, and we look forward to seeing how she transforms the iconic Turbine Hall with her subversive, multi-sensory forms,’ said Director of Tate Modern Karin Hindsbo.
Lee’s work has been shown at the 58th Carnegie International, Pittsburgh, the 2022 Busan Biennale, and the 2022 Venice Biennale. She is represented by Tina Kim Gallery and Antenna Space, Shanghai. Her upcoming project for the Turbine Hall will be on view from 8 October 2024 to 16 March 2025. —[O]
A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services