The practice of Doug Aitken is most widely recognised as immersive, collaborative and engaged with both the art world and the wider world. This approach results in works in a variety of media such as video, sculpture and photography.

Aitken is perhaps best known for his 'nomadic happening', Station to Station (2013) in which he invited artists such as Olafur Eliasson, Patti Smith and Urs Fischer, amongst others, to participate in a cross-country nine-carriage train ride from New York to California, spontaneously collaborating to create art, food and music along the way. There were nine stops, and a 'happening' (an art-related performance event) occurred at each stop. The train was covered in LED screens; along the way a visual light installation continuously played. The project was intended as an alternative art experience. Instead of being held in a gallery or institution, the art travelled, grew and became a presence in every moment of the artist's life. In 2015, this event recreated itself at the Barbican Centre in the form of Station to Station: A 30 Day Happening. Described as a 'living exhibition', over its month-long existence it played host to more than 100 contemporary artists, musicians, dancers, filmmakers and designers.

In late 2016, during his solo exhibition Doug Aitken: Electric Earth (10 September 2016–15 January 2017) at The Museum of Contemporary Art, Los Angeles, Aitken installed Underwater Pavilions off the coast of Catalina Island, California. Underwater Pavilions consisted of three hexagon-shaped spheres submerged between five and 50 feet underwater. Viewers had to dive to view the work and could swim both in and around the spheres. The spheres contained panels sculpted from artificial rock and mirror. The mirrored surfaces induced a kaleidoscopic effect; in an interview with The New York Times Aitken remarked on the experience of this effect, 'I could see the ocean floor above me and the sun below me'. The objects' shiny and multifarious surfaces cause them to seem continuously in flux—affected by tides, sunlight, sun, fish and divers. Rather than sculptures or monuments, they are living things. The work is based on Aitken's philosophy that to make art living, one should immerse it in the real world and allow it to experience the flux of nature.

In 2017, Aitken participated in Desert X—the art biennial of Palm Springs, California, featuring 16 artists including Gabriel Kuri, Claudia Comte and Armando Lerma. For the event, Aitken created Mirage—a ranch-style home in Coachella Valley covered on every surface by mirrors. The ranch style of architecture was developed in the 1920s and 1930s by combining Frank Lloyd Wright's modernist architecture and traditional western ranches. After World War II, the style boomed and became a fixture of the Californian landscape. By turning the quintessential Californian architecture into a house of mirrors, Mirage may change with its surrounding nature—blending in but perhaps standing out even more so in the process. In the struggle between the natural and the artificial, the house plays on both sides. Aitken works with the materiality of the suburban west, illustrating the vast power of the landscape and the history of architecture's attempted encroachment upon it.

The influential powers of the art market; its hierarchies and trends, provide the stage and spotlight that determines a contemporary artist’s career. Danish and Norwegian artist duo Michael Elmgreen and Ingar Dragset, aka Elmgreen & Dragset, have utilised these art world systems to their advantage, fuelling their practice and...

GSTAAD, Switzerland — Why travel to the Swiss Alps, if not for the benefits of breathing some rareified air? Elevation 1049 is a biennial now in its third iteration, produced by the Luma Foundation, and seeks to gather art world glitterati in the mountain town of Gstaad for a singular art festival experience — this year around the theme...

For centuries, artists and philosophers have theorised about the relationship between private and public space, materially and conceptually. In Henri Lefebvre's Critique of Everyday Life (1947), he discusses the relationship between personal and private life as an 'interconnectedness', where our internal and external lives mutually inform one...

We meet at Doug Aitken's studio in Venice, California, a family home that has the trappings of that slow, laidback, always-sunny, gate-and-garden kind of modern California life, but the manic energy of a studio where multiple projects are coming together at once. I would call him a multimedia artist, but I'd rather have Aitken do the name-calling...

Art Basel Switzerland which is always an important barometer in the art market has reported that some of the world's premier galleries experienced remarkable sales across all levels of the market.The fair in Basel closed on Sunday, June 17 2018, amid reports of significant sales to private collections and institutions by galleries across all...