Maurice de Vlaminck was a French painter whose bold use of colour and expressive brushwork played a key role in the development of Fauvism in the early 20th century. Alongside artists like André Derain and Henri Matisse, with intensely saturated palettes and energetic compositions, Vlaminck helped push modern painting in a new direction,
Born on 4 April 1876 in Paris to musician parents, Vlaminck was immersed in a creative environment from a young age. Initially pursuing a career as a professional cyclist, a bout of typhoid fever in 1896 ended this path.
In 1900, a chance meeting with André Derain led to a pivotal friendship; the two artists shared a studio in Chatou, fostering each other’s artistic development. Vlaminck was largely self-taught, drawing inspiration from the vibrant colours of Vincent van Gogh and the expressive potential of paint.
Vlaminck’s early works feature lively colours and emotive landscapes. His participation in the 1905 Salon d’Automne, alongside artists like Matisse and Derain, led to the group being dubbed ‘les Fauves’ or ‘the wild beasts’ due to their radical use of colour.
Around 1908, Vlaminck’s palette darkened under the influence of Paul Cézanne, leading to more structured and sculptural compositions. Despite this shift, his commitment to expressing raw emotion through colour remained evident.
Throughout his career, Vlaminck’s work was featured in numerous exhibitions. In 1920, his pieces were showcased in the Exposición de Arte francés de Vanguardia at Galeries Dalmau in Barcelona, highlighting his international acclaim.
Vlaminck continued to paint prolifically, focusing on more subdued rural landscapes with a sense of isolation and introspection. He passed away on 11 October 1958 in Rueil-la-Gadelière.
In 2024 the Museum Barberini in Potsdam Germany hosted, Maurice de Vlaminck: Modern Art Rebel, the first posthumous solo exhibition of the artist’s work in Germany (14 September 2024–12 January 2025).
The artist’s work appears in major global collections including, the Tate Modern in London, the Dallas Museum of Art and the Museo nacional Thyssen-Bornemisza in Madrid.
Vlaminck’s artworks often fetch high sums at auction. In 2011 Vlaminck’s Pausage de banlieue (1905) doubled the previous auction record for the artist, selling for USD $22.5 million.
Hazel Ellis | Ocula | 2025

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