Press Release

Xavier Hufkens and Alexander Gray Associates present Continuities, an exhibition of recent paintings by Joan Semmel (b. 1932). Conceived with the artist as a single presentation across Brussels and New York, the exhibition’s structure mirrors the paintings’ own logic, playing with doubling and immediacy to extend the act of seeing across continents.

Semmel paints her own body as an authored image—internalised rather than observed. In her nineties, that act carries weight. While the aging female form is routinely edited from view, these canvases place it squarely at the centre, without apology or disguise. Her compositions do not treat the body as symbol, memory, or ideal. Works such as Here I Am (2025) reject any impulse to memorialise or prettify. Saturated hues move across flesh in broad passages; contours blur and reassert themselves. In Red Breast (2025), bold strokes and thin washes keep figure and ground in continual exchange as Semmel’s body emerges from and dissolves into its surroundings.

These paintings draw on strategies that have long shaped Semmel’s work—the cropping and emotive colour of her 1970s canvases and the multiple figures of her Overlays (1992–1996) and Shifting Image compositions (2006–2013). In works such as Partners (2024) and Fleshed Out (2025), layering allows more than one version of the figure to remain visible, as if the body echoes across the surface. In others, colour and paint handling create that sense of movement without doubling the form outright. “The earlier images are still present for me,” Semmel has said. “They’re something I can move through, not something I’m revisiting.”

Presenting this work simultaneously in Brussels and New York gives the paintings’ structure a physical dimension. Viewers encounter related compositions in two distinct locations. That simultaneity extends the paintings’ insistence on multiplicity and presence. The dual presentation also acknowledges the long dialogue between Europe and America that has shaped feminist thought and visual culture for more than half a century, insisting on connection and the sustaining power of cultural exchange.

Rather than positioning the two venues in opposition, Continuities treats them as continuous. What emerges is a single experience spanning two cities: installations that mirror one another, doubling made physical, and presence that reaches across the ocean to meet itself.

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About the Artist

Joan Semmel is an American painter whose work has transformed how the female body is seen in contemporary art. Best known for large-scale nude self-portraits painted from her own point of view, she presents the body as a site of agency, desire, and ageing rather than an object of spectacle. Over six decades, and across series such as the Erotic Series (1970–73) and Transparencies (2014–ongoing), Semmel has developed a distinctive language of vivid colour, tight cropping, and layered imagery that confronts the male gaze and foregrounds lived bodily experience. Her paintings have been featured in major exhibitions including the retrospective Joan Semmel: Skin in the Game at the Pennsylvania Academy of the Fine Arts (2021–22) and Joan Semmel: In the Flesh at the Jewish Museum, New York (2025–26).

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Also Exhibiting at Xavier Hufkens

About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Brussels 107 rue St-Georges
Xavier Hufkens
107 rue St-Georges, St-Jorisstraat, Brussels, Belgium

Opening hours
Tuesday – Saturday
11am – 6pm
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