FRIEZE NEW YORK 2025

This presentation will feature eight paintings from Levine’s After Piet Mondrian Inverted (2024), in which Levine alters the colors of modernist masterworks. This series, which is on view for the first time at the fair, relates to After Piet Mondrian, a suite of chromogenic prints from 1983. She photographed plates of Mondrian’s grid paintings from books, rejecting the typical model of copying from original artworks at museums. At Frieze, works from Levine’s After Francis Picabia and After Francis Picabia Inverted (both 2024), which reference the eponymous artist’s ‘dot paintings,’ will likewise be presented side by side. Also on view will be a set of works from the photographic series After Alfred Stieglitz (2023) and a selection of cast-bronze sculpture.

Sherrie Levine (b. 1947) rose to prominence as a member of the Pictures Generation, a group of artists based in New York in the late 1970s and 1980s whose work examined the structures of signification underlying mass-circulated images, and, in many cases, directly appropriated these images in order to imbue them with new, critically inflected meaning. Since then, Levine has created a singular and complex body of work in a variety of media that often explicitly reproduces artworks and motifs from the Western art-historical canon as well as non-Western cultures.

Born in Hazleton, Pennsylvania, Levine studied at the University of Wisconsin, Madison, where she received her M.F.A. in 1973. Early solo exhibitions were held at 3 Mercer Street, New York (1977); Hallwalls Contemporary Arts Center, Buffalo (1978); and The Kitchen, New York (1979).

Levine’s work has been the subject of solo presentations at prominent institutions worldwide. In Summer 2025, the Aspen Art Museum will present Sherrie Levine: 1977–1988, a solo exhibition devoted to the first eleven years of the artist’s practice. In 2016, Sherrie Levine: After All was held at the Neues Museum, State Museum for Art and Design in Nuremberg, and in 2013, a solo exhibition was hosted by the Portland Art Museum, Oregon. The Whitney Museum of American Art, New York, presented SHERRIE LEVINE: MAYHEM, in 2011, a major exhibition of Levine’s work spanning three decades.

Other prominent institutions that have hosted solo presentations of Levine’s work include Museum Haus Lange, Krefeld, Germany (2010); San Francisco Museum of Modern Art (2009 and 1991); and the Georgia O’Keeffe Museum, Santa Fe, New Mexico (2007). Other venues include Museum Morsbroich, Leverkusen, Germany (1998); Museum of Contemporary Art, Los Angeles; The Menil Collection, Houston (both 1995); Portikus, Frankfurt (1994); Philadelphia Museum of Art (1993); Kunsthalle Zürich (1991); High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington, DC (both 1988); and the Wadsworth Atheneum Museum of Art, Hartford, Connecticut (1987).

Levine’s work has been represented by David Zwirner since 2015. Her inaugural solo exhibition with the gallery was on view in New York the following year. In 2017, Sherrie Levine: Pie Town was presented at the gallery’s London location. Sherrie Levine: After Reinhardt, the artist’s third solo exhibition with David Zwirner, was on view in 2019 at the gallery’s East 69th Street location. In 2021, Sherrie Levine: Hong Kong Dominoes was presented at David Zwirner, Hong Kong. A solo presentation of the artist’s work was on view at David Zwirner, Paris, in the Spring of 2023. A concurrent presentation entitled Sherrie Levine: Wood was also on view at the gallery’s East 69th Street location in New York. Levine lives and works in New York.

Work by the artist is held in major international museum collections, including the Art Institute of Chicago; Centre Pompidou, Paris; Hirshhorn Museum and Sculpture Garden, Washington, DC; Institute of Contemporary Art, Boston; Louisiana Museum of Modern Art, Humlebæk, Denmark; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The National Museum of Art, Osaka; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, United Kingdom; and the Whitney Museum of American Art, New York.