Yorkshire-born businessman Howard Bilton is the founder and chairman of the Sovereign Art Foundation, established in Hong Kong in 2003. The Foundation focuses on both recognising the abundance of artistic talent in Asia and bringing the benefits of art therapy and education to underprivileged children.In both endeavours, the Foundation is...

There are few cities in the world like New York for viewing art. If you are in town for the Armory Show, or the ADAA’s Art Show, or the plethora of other art fairs on during New York Arts Week (29 February to 7 March), then you should definitely make sure you see the big shows, such as Laura Poitras at the Whitney Museum of American Art,...

Australian curator Alexie Glass-Kantor has held a range of senior roles in independent art centres across the country. These include Gertrude Contemporary and the Australian Centre for the Moving Image, both in Melbourne. Currently, Glass-Kantor divides her time between working as executive director of Artspace, Sydney, one of Australia’s...

Sonic Blossom, the project for which Taiwanese artist Lee Mingwei is arguably best known, opens on the 30th October at The Metropolitan Museum of Art in New York. The work is a performance piece in which visitors are asked ‘May I give you a gift of song?’ If they accept, a vocalist will sing one of Schubert's Lieder to them. Lee...

Last month, a new sake bar opened at London's Institute of Contemporary Arts: a softly lit tunnel of booze that promises the kind of entrancing conversation one can never quite remember the next morning. A permanent installation designed by the artist Rirkrit Tiravanija, untitled 2019 (the form of the flower is unknown to the seed) is furnished...

I have been a fan of Squeak Carnwath ever since I saw her painting Obit (2000) in a now-defunct Soho gallery nearly 20 years ago. I have been to her studio in Oakland, California numerous times; interviewed her for The Brooklyn Rail (November 2006); contributed an essay to the catalogue of her survey show, Squeak Carnwath: Painting Is No Ordinary...

An existential inquiry into the nature of knowledge and history beat at the heart of the group exhibition Speaking Power to (Post) Truth at Jane Lombard Gallery in New York City. In one room, curator Sara Raza brought together five diasporic artists from around the globe: Ergin Çavuşoǧlu, James Clar, Mounir Fatmi, Nadia Kaabi-Linke and Shahpour...

On the Periphery of Vision, a group exhibition curated by Christopher Philips, features works in a variety of mediums including photography, painting, sculpture and film. On display is work by five artists: Bae Youngwhan, Michelle Charles, Koo Donghee, Shimpei Takeda and Apichatpong Weerasethakul. The experiences depicted in the artworks border on...

The artist Teppei Kaneuji and Reiko Tsubaki, Curator at the Mori Art Museum in Tokyo, discuss the artist's recent sculptures and performances. Kaneuji investigates the mass consumption of contemporary Japanese culture, sourcing materials from everyday life, found objects and manga characters to create sculptures that are at once playful and...

Guernica in Sand is a recreation of Picasso’s famous painting Guernica (1937) through the medium of sand. The public is then invited to engage with the work by walking on it, in a painstaking performance that Lee says is “about transformation”:"I’m going to finish the last part of the sand painting, while one person...