Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
Ocula Conversation Andrew Stahl and Guo Xiaohui The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Kamakura Gallery was first established in Tokyo Ginza in 1981, by Nakamura Michiko. Now based in Kamakura, the gallery exhibits many important Conceptual and Minimalist artists, and presents artists from the Japanese Mono-ha movement.
Ocula Conversation Lee Ufan Artist, Korea Nowadays, Korean-born artist Lee Ufan needs little introduction. The combination of the opening of his own Tadao Ando-designed museum at the Benesse Art Site, Japan in 2010; his 2011 retrospective at the Guggenheim Museum, New York; and his major show at the Château de Versailles in 2014, have all meant that in recent years Lee Ufan has...
Related Press Precarious Cut-Stone Sculptures Convey a Sense of Delicate Balance The Creators Project : 2 January 2017 Like a post-minimal graveyard, Kishio Suga’s cut stones and wood planks lend an existential air to the exhibition space at Dia:Chelsea. The Japanese artist’s first solo museum show in the United States gives a nod to Suga’s legacy as one of the founding members of Japan’s School of Things (Mono-ha), by featuring, alongside newly commissioned works,...
Related Press Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Blouin Artinfo : 21 February 2016 Opening at the Boghossian Foundation’s Villa Empain in Brussels this weekend is When Process Becomes Form: Dansaekhwa and Korean Abstraction, the first exhaustive exhibition of the Korean Dansaekhwa movement in Belgium, featuring some fifty works by seven of its leading proponents: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, Kim Whanki,...
Related Press Kishio Suga ArtAsiaPacific : 5 February 2016 Recently I’ve noticed that when I meet people who know my work, they say, “Oh you must be so busy!” I usually reply with something like, “Well, I’m getting by,” which probably gives people the impression that I’m quite reserved. Certainly, in these past three years, I’ve been doing exhibitions unlike...
Related Press Kishio Suga wins Mainichi Art Award Art Asia Pacific : 29 January 2016 Japanese Mono-ha (“School of Things”) artist Kishio Suga was announced the winner of the 2016 Mainichi Art Award on January 28. The prize, which was first established in 1959 by the leading Japanese newspaper Mainichi Shimbun, recognizes the contributions of outstanding figures in visual art, literature, theatre, music and film.
