Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula 'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Ocula Conversation Ellen Altfest The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
Kamakura Gallery was first established in Tokyo Ginza in 1981, by Nakamura Michiko. Now based in Kamakura, the gallery exhibits many important Conceptual and Minimalist artists, and presents artists from the Japanese Mono-ha movement.
Ocula Conversation Lee Ufan Artist, Korea Nowadays, Korean-born artist Lee Ufan needs little introduction. The combination of the opening of his own Tadao Ando-designed museum at the Benesse Art Site, Japan in 2010; his 2011 retrospective at the Guggenheim Museum, New York; and his major show at the Château de Versailles in 2014, have all meant that in recent years Lee Ufan has...
Related Press Precarious Cut-Stone Sculptures Convey a Sense of Delicate Balance The Creators Project : 2 January 2017 Like a post-minimal graveyard, Kishio Suga’s cut stones and wood planks lend an existential air to the exhibition space at Dia:Chelsea. The Japanese artist’s first solo museum show in the United States gives a nod to Suga’s legacy as one of the founding members of Japan’s School of Things (Mono-ha), by featuring, alongside newly commissioned works,...
Related Press Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Blouin Artinfo : 21 February 2016 Opening at the Boghossian Foundation’s Villa Empain in Brussels this weekend is When Process Becomes Form: Dansaekhwa and Korean Abstraction, the first exhaustive exhibition of the Korean Dansaekhwa movement in Belgium, featuring some fifty works by seven of its leading proponents: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, Kim Whanki,...
Related Press Kishio Suga ArtAsiaPacific : 5 February 2016 Recently I’ve noticed that when I meet people who know my work, they say, “Oh you must be so busy!” I usually reply with something like, “Well, I’m getting by,” which probably gives people the impression that I’m quite reserved. Certainly, in these past three years, I’ve been doing exhibitions unlike...
Related Press Kishio Suga wins Mainichi Art Award Art Asia Pacific : 29 January 2016 Japanese Mono-ha (“School of Things”) artist Kishio Suga was announced the winner of the 2016 Mainichi Art Award on January 28. The prize, which was first established in 1959 by the leading Japanese newspaper Mainichi Shimbun, recognizes the contributions of outstanding figures in visual art, literature, theatre, music and film.
