The Hamish McKay Gallery opened in 1993 and represents leading artists from New Zealand and Australia.
Read MoreAs well as regularly exhibiting in public galleries and contemporary art spaces in New Zealand and Australia, artists represented by the gallery have increasing international reputations, participating in exhibitions in Europe and North and South America.
Located in the heart of central Wellington, Hamish McKay Gallery presents a regularly changing programme of exhibitions and installations, contributing significantly to the Australasian art scene.
In recent years the gallery has looked to broaden both its artists and its own reputation by attending the Liste Art Fair in Basel, the Frieze Art Fair in London, the New Art Dealers Alliance NADA as well as attending Fairs more locally in Australia and New Zealand.
Australian curator Alexie Glass-Kantor has held a range of senior roles in independent art centres across the country. These include Gertrude Contemporary and the Australian Centre for the Moving Image, both in Melbourne. Currently, Glass-Kantor divides her time between working as executive director of Artspace, Sydney, one of Australia’s...
Julian Dashper was born on a leap day in 1960. Monday 29 February 2016 would have been his fifty-sixth birthday. Or his fourteenth, depending on how you work the calendar calculations. Simultaneously older and younger, Dashper's leap year birth anticipated the basic elements of his art practice: absence and presence, addition and subtraction, a...
When Silence Falls Art Gallery of New South Wales, Sydney 19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....
For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...
Geometry, science fiction and appropriation of ancient forms collide in the multi-faceted sculptural work Earthcraft by Australian artist Mikala Dwyer. Victoria Wynne-Jones reviews. Trembling slightly, an immense crystalline form hangs before a window. Cool winter light catches its facets and its glasslike surface glows white. In barely...
Eavesdropping and State of the Union These two shows at the Ian Potter Museum delve back through the centuries but find a strong contemporary relevance. Protests have always made use of urgent and eye-catching design, and that's in full effect at State of the Union, which looks at the relationship between unions and artists with striking...
New Zealand artist Billy Apple seems to have always been in the right place at the right time. In the early 1960s, he moved from Auckland to London and worked alongside artists who would become leading figures in the Pop Art movement, including David Hockney and Pauline Boty. After that he moved on to New York, and in 1964 he collaborated with...
Auckland Art Fair puts the spotlight on this city as a place to see the best in contemporary art from the Pacific Rim. Dionne Christian asks some of the artists what 'place' means to them — in particular the space they work in.
Scan the QR Code via WeChat to follow Ocula's official account.