Latest Ocula Conversation Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
Latest Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney 'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
The Hamish McKay Gallery opened in 1993 and represents leading artists from New Zealand and Australia.
Read MoreAs well as regularly exhibiting in public galleries and contemporary art spaces in New Zealand and Australia, artists represented by the gallery have increasing international reputations, participating in exhibitions in Europe and North and South America.
Located in the heart of central Wellington, Hamish McKay Gallery presents a regularly changing programme of exhibitions and installations, contributing significantly to the Australasian art scene.
In recent years the gallery has looked to broaden both its artists and its own reputation by attending the Liste Art Fair in Basel, the Frieze Art Fair in London, the New Art Dealers Alliance NADA as well as attending Fairs more locally in Australia and New Zealand.
Ocula Conversation Alexie Glass-Kantor By Rachael Vance, Hong Kong Australian curator Alexie Glass-Kantor has held a range of senior roles in independent art centres across the country. These include Gertrude Contemporary and the Australian Centre for the Moving Image, both in Melbourne. Currently, Glass-Kantor divides her time between working as executive director of Artspace, Sydney, one of Australia’s...
Ocula Report Julian Dashper: Calling the future By Kate Brettkelly-Chalmers Julian Dashper was born on a leap day in 1960. Monday 29 February 2016 would have been his fifty-sixth birthday. Or his fourteenth, depending on how you work the calendar calculations. Simultaneously older and younger, Dashper's leap year birth anticipated the basic elements of his art practice: absence and presence, addition and subtraction, a...
Ocula Report Sydney Summer Report By Rachel Fuller, Sydney When Silence Falls Art Gallery of New South Wales, Sydney 19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....
Ocula Report Melbourne Now By Emily Cormack, Melbourne For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...
Related Press A Circle is a Sun: A Review of Mikala Dwyer’s ‘Earthcraft’ 16 August 2019, The Pantograph Punch Geometry, science fiction and appropriation of ancient forms collide in the multi-faceted sculptural work Earthcraft by Australian artist Mikala Dwyer. Victoria Wynne-Jones reviews. Trembling slightly, an immense crystalline form hangs before a window. Cool winter light catches its facets and its glasslike surface glows white. In barely...
Related Press In the Galleries: Seven Shows to See in September 13 September 2018, Broadsheet Eavesdropping and State of the Union These two shows at the Ian Potter Museum delve back through the centuries but find a strong contemporary relevance. Protests have always made use of urgent and eye-catching design, and that's in full effect at State of the Union, which looks at the relationship between unions and artists with striking...
Related Press 10 Hong Kong Art Exhibitions to see in June 5 June 2018, Hong Kong Tatler New Zealand artist Billy Apple seems to have always been in the right place at the right time. In the early 1960s, he moved from Auckland to London and worked alongside artists who would become leading figures in the Pop Art movement, including David Hockney and Pauline Boty. After that he moved on to New York, and in 1964 he collaborated with...
Related Press Artists in residence: Where artists find their happy place 23 May 2018, The New Zealand Herald Auckland Art Fair puts the spotlight on this city as a place to see the best in contemporary art from the Pacific Rim. Dionne Christian asks some of the artists what 'place' means to them — in particular the space they work in.
