






A scaffolding structure that betrays in scope its bird-trapping origins[1]; an erected rectangular red brick wall built to then be demolished following a seventeen day period[2]; a fully foliated panda house that one can peer into but not access[3]. These are but worded examples of the immersive installations created by the Beijing-based artist Wang Wei (b. 1972). Conceived not so much as artworks but rather vehicles for situating artifice in the context of life, Wang Wei actively appropriates existing spaces and visual elements, which he then enlarges and adapts to a gallery setting. Through this intrinsic process of attack, engagement and decontextualisation, he questions the veracity of natural forms before fresh eyes and constructs windows for investigating new layers of meaning.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
