A Journey That Wasn't showcases 55 artworks from the permanent collection of The Broad in Los Angeles, some of which are on view for the first time (30 June 2018–10 February 2019). Located in the museum's first-floor galleries and curated by Ed Schad and Sarah Loyer (both curators at The Broad), the show explores how artists have dealt with...

For over 20 years, the legacies of colonialism have been recurring themes in William Kentridge's work. In 2018, he was awarded an honorary doctorate degree from the University of Pretoria in South Africa in recognition of a practice that has consistently charted 'a universal history of war and revolution, evoking the complexities and tensions of...

At the entrance of the fiftieth anniversary edition of Art Brussels (19–22 April 2018), Iván Navarro's Sediments (2017) at Galerie Templon's booth offered an appropriate 'welcome' into the bottomless world of an art fair—a world map rendered in lights that infinitely stretch into a void by way of an illusion created with mirrors. At La...

Apparently my timing sucks. One week too late for Berlin Gallery Weekend, and one month too early for the Berlin Biennale. ‘You should have been here last weekend for Berlin Gallery Weekend!’ a Berliner friend exclaimed. ‘Everyone was having orgies at Soho House! It was the best art world networking!’ I shifted...

While critics have argued that Richard Artschwager was an artist whose works alternated between Pop, Minimalism, and Conceptual Art, there was little doubt he possessed his own singularity removed from the fray. Whether he chose to work with bewildering banal subject matter or media references to sex and violence, Artschwager maintained the...

'My work', Bruce Nauman told Art in America in 1988, 'comes out of being frustrated about the human condition.' Black radical aesthetics and criticism prefigured my encounter with Disappearing Acts, the artist's retrospective survey at the Museum of Modern Art and MoMA PS1 in New York, which was first mounted at The Schaulager last summer in...

DENVER — Tara Donovan's artworks are unexpected: they borrow manufactured goods, but they are never readymades; they are theatrical and serial, but rarely considered minimalist; and they are massive in scale, but never outsourced. Fieldwork at the MCA Denver revisits Donovan's contributions from the last 20 years, bringing her wall-based and...

Immersing the spectator in site-specific installations that she herself compares to "studio visits," both intimate and in flux, US artist Sarah Sze combines intricate systems of objects and images across multiple mediums, from sculpture to painting, drawing, printmaking, and video. On the occasion of her first solo show in an Italian...

Sarah Sze discusses her installation Seamless as it is installed at Tate Modern, London, 2018.

'You're having this filmic way of reading images as they move, and you move, through space.' In this film, the artist discusses the process of creating the new site-specific works in her exhibition at Victoria Miro: Images in Debris, an installation of images, light, sound, film, and objects, that seeks to transform the visitor's perception and...

Sarah Sze discusses her sculpture Measuring Stick (2015), which explores the "measurement of time and space through the moving image." Sze remembers watching Charles and Ray Eames's Powers of Ten as a young student in the 1970s, and cites the film as an inspiration for her work. "That was something I always looked forward to...

Episode #233: Sarah Sze expresses her desire to have a tactile relationship with materials in a world saturated with digital imagery. In describing today's visual culture, Sze says, 'You don't know the authorship of an image when it gets to you, you can manipulate it and you can send it—it's a kind of images as debris.'