
Lehmann Maupin is pleased to present Traces to nowhere, an exhibition of new works by artist Matthias Weischer, on view at the gallery’s Hong Kong location from September 8 through October 3, 2015. Showcasing a group of new paintings, Weischer is presenting a solo exhibition in Asia for the first time. The artist will be present for an opening reception on September 8 from 6-8PM.
Weischer, a graduate of the Leipzig Academy of Visual Arts, is known for his association with the “New Leipzig School” a group of painters who came to prominence roughly a decade after the fall of the Berlin Wall. Originally schooled in classical painting techniques, the artist has since developed, in a broad sense, two conceptual approaches in his practice. Of primary interest is Weischer’s exploration of new ways of perceiving and depicting three-dimensional space. Weischer is also attuned to identifying the scope, importance, and historical meaning of painting as a medium and system of representation. The artist is keenly interested in the process of composing paintings, examining the balance between chaos and harmony, and situating his works at the intersection of the realistic and the imagined.
In many of the artist’s works, contained spaces such as yards, domestic interiors, parks and gardens present regions of illusory and enigmatic narratives. Weischer explores his depicted spaces in great detail, disrupting any superficial harmony and exposing the disorder that exists directly beneath the surface. The artist omits any trace of the figurative form, prompting the viewer to mentally occupy the spaces of his paintings. While the figure is omitted, he does fill his depicted spaces with traces of a human’s presence, including ornaments and décor that infer personal choices. Accentuated by his collage-like approach to constructing imagery, Weischer employs forced perspectives that challenge how viewers perceive space. Patterned walls give way to unexpected views of interiors and fragments of truncated spaces, reaching past logical boundaries.
The artist’s recent works, such as those included in his Lehmann Maupin exhibition, have become more spontaneous and poetic with the incorporation of landscape and natural elements. While Weischer continues to paint with forced perspective, the inclusion of singular, flat elements that appear to be floating in the picture plane add another level of complexity. Weischer utilizes these figurative forms to explore new ways of harmonizing the relationship between objects and space within the pictorial plane.
About the Artist
Matthias Weischer (b. 1973 Elte, Germany) graduated with an MA from the prestigious Leipzig Academy of Visual Arts (Hochschule für Grafik und Buchkunst Leipzig) in 2003 and has since been associated with a group of German painters referred to as the ‘New Leipzig School’. Weischer has had solo exhibitions in international venues including Gemeentemuseum Den Haag, The Hague, (2014); Museo Arte de Ponce, Ponce (2011); Museum der bildenden Kunste Leipzig (2011); Gemeentemuseum, Den Haaag, The Hague (2008); and CAC Malaga (2008). His work has also been included in notable group exhibitions at the Centre Pomipdou, Paris (2013); Museum Frieder Burda, Baden Baden (2010); The Zabludowicz Collection, London (2010); and Kunstmuseum Wolfsburg (2008).





German artist Matthias Weischer is known for his association with the New Leipzig School of German painters, which emerged at the end of the 1990s. He gained renown for his illusory and experimental ‘pulp paintings’, using a mixture of oil paint and cotton-fibre papier-mâché to create artificial landscapes and staged interiors.



Rachel Lehmann and David Maupin founded Lehmann Maupin in 1996. The gallery represents a diverse range of American artists, as well as artists and estates from across Europe, Asia, Africa, South America, and the Middle East. It has been instrumental in introducing numerous artists from around the world in their first New York exhibitions.

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