Manolo Valdés emerged from a Spanish interpretation of the Pop Art movement to develop his own career focused on the reinterpretation of classical artworks. He created his own distinct visual language while referencing art history in a practice spanning sculpture and painting.
Manolo Valdés was born in Valencia on 8 March 1942. In 1957 he enrolled at the fine arts school of San Carlos in Valencia but left after two years to dedicate his life to painting, staging his first solo exhibition in 1962. His early pieces were critical of the Franco dictatorship. In 1964, alongside Rafael Solbes and Juan Antonio Toledo, he formed the Equipo Crónica group. When the group dissolved in 1981 after Solbes’ death, Valdés embarked on a solo career. Since 1990, the artist has lived in New York City.
“I engage with art history,” Valdés said in a 2024 interview. He chooses work that captured his interest—notably Diego Velázquez’s portraits of Queen Mariana of Austria, Reina Mariana and then creates his own version, perhaps at large scale or in different materials. He has worked with jute canvas, stitching or folding it, or coating it in paint or tar. In sculpture, he has worked with wood, bronze, brass, alabaster and marble. Although he is inspired by existing artworks, Valdés has developed his own individual style that creates a conversation with history.
What was Equipo Crónica? Equipo Crónica was founded in Valencia in 1965 by Manolo Valdés, Rafael Solbes and Juan Antonio Toledo. Characterised by its own identity in a scene dominated by Abstract Expressionism, Equipo Crónica was inspired by Pop Art, but with its own interpretation of the US movement, determined to adopt a style that referenced everyday life. Toledo left the group fairly quickly, but Valdés and Solbes continued, producing pieces such as Police and Culture (1971), representing the police as a symbol of oppression. Other works manipulated press photographs or drew from comic-book iconography.
Yes—in 2010, 16 bronze semi-figurative sculptures were displayed on Broadway in New York City, between Columbus Circle and 168th Street. Among the pieces on display were Reina Mariana (2005) and Dama a Caballo V (2008).
Valdés sees art history as not simply something to be studied but something he engages with. He has said that Picasso demonstrated that it’s OK to depict unusual numbers of eyes or hands, so he may do that. Also, holes and stitches in his pieces are influenced by artists including Alberto Burri, Antoni Tàpies and Lucio Fontana. However, perhaps the artist that has had the most influence on Valdés is Diego Velázquez, whose 17th century portraits of Queen Mariana and Margarita Teresa directly inspired the Meninas series.
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