
MAKI Gallery is pleased to present To The Moon, Brooklyn-based artist Michael Kagan’s first solo presentation in Japan, at Tennoz II, Tokyo. The exhibition features paintings, sculptures, and works on paper all referencing iconic moments from the first and last crewed missions to the Moon: Apollo 11 and Apollo 17. The diverse selection of works tactfully yet breathlessly unveil a story of challenge and triumph that resonates deeply with our collective memory.
Central to the show are two monumental sculptures which epitomize the artist’s recent foray into three-dimensional media. Apollo is the artist’s interpretation of the Apollo 11 capsule, a detachable portion of the spacecraft designed to bring its crew safely back to Earth. Notably, it is the only piece of the Apollo 11 rocket that survived the trip—Kagan treats the capsule as a hero in its own right, with the reverence as one would a religious relic. While the Moon landing is considered one of the most extraordinary feats in human history, Apollo frames the astronauts’ safe return as an equally miraculous achievement.
Astronaut is a cast bronze sculpture of Apollo 17 commander Gene Cernan, famously known as the “last man on the Moon.” It is modeled after a painting Kagan created in 2018, which itself was based on an iconic photograph of Cernan taken during a moonwalk. The larger-than-life statue looms over the viewer with an imposing, almost intimidating aura, while its weighty form is complicated by interweaving blocks, inspired by the thick, geometric strokes Kagan employs in his paintings. Although the artist is referencing a specific snapshot of history, the astronaut’s mirror-polished visor and bulky space suit obscure the identity of the man within. Thus, the sculpture is able to simultaneously serve as a symbolic tribute to the boundless potential of humankind.
The mythos of the Apollo missions is further enhanced by the other works on view. Twelve enamel prints on paper show the Apollo 11 liftoff in a sequential manner; the rocket is gradually smothered by dynamic squeegee marks, illustrating not only physical motion but also the heightened anticipatory energy of the event. In addition, a series of six oil and enamel-printed paintings depict the first footprint on the Moon—an epochal image that represents an unforgettable moment observed by over 600 million people worldwide. Showcased alongside these serial works are Kagan’s signature oil-on-linen paintings. While they may read as carefully arranged abstract compositions up close, when viewed from a distance, the whirlwind of lines, shapes, and colors merge into a single recognizable image—the astronaut.
December 2022 marks the 50th anniversary of Apollo 17, the last time we have ever set foot on the Moon. Over three short years between 1969 and 1972, a total of six crewed missions have completed the trip. Although public interest and investment in space travel has since waned, these moments continue to hold a unique place in our collective memory. To The Moon plays into the nostalgic elements of its subject matter while looking to the future, expressing a sincere excitement for what humanity will achieve next.
Press Release: Courtesy of MAKI
Born in 1980 in Virginia, USA, Michael Kagan completed his BA at The George Washington University in 2003, followed by an MFA and postgraduate fellowship at the New York Academy of Art in 2005. Currently based in Brooklyn, New York, Kagan’s praxis centers on a continued exploration of the tension between abstraction and representation, particularly through the medium of oil-painting. Rhythmical, abstract brushstrokes in both bright and muted hues coalesce at a distance to form iconic, high-contrast images of man defying the limits of possibility whether astronauts, rocket launches, surfers, or mountain peaks.

MAKI Gallery was first established in Tokyo in 2003, with the aim of promoting works by seminal avant-garde Japanese artists of the 1950s-60s. The gallery has since gradually shifted its focus to working with emerging contemporary artists. After opening a location in the bustling, high-end shopping district of Omotesando in 2014, MAKI Gallery opened an expansive, museum-caliber space in the growing gallery hub of Tennoz in 2020. Across these two outposts, MAKI Gallery presents a broad range of works by internationally active artists, including Mungo Thomson, Miya Ando, Susumu Kamijo, and Marius Bercea, while also introducing younger Japanese artists, such as Anne Kagioka Rigoulet, Keisuke Tada, and Takuro Tamura, to a global audience. The gallery has also participated in various international art fairs such as Frieze New York, The Armory Show, Asia NOW, and West Bund Art & Design.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services