
Monika Sprüth and Philomene Magers are delighted to present an exhibition of Craig Kauffman’s Constructed Paintings, made during the years 1973 to 1976, at the London gallery. Produced during a period of transition for the artist, his exploration of basic painting support and structure was parallel to the post-minimal and process-oriented painting and sculpture of that time, yet retained Kauffman’s inventive use of high-key colour on an unusual ground. The works reflect Kauffman’s life-long interest in unorthodox supports for painting, as well as a sensuous and luminous colour sensibility.

Craig Kauffman came to prominence in Los Angeles in the 1960s, combining the latest industrial processes with a wide-ranging knowledge of European art history to produce innovative forms in sensuous colours and materials specific to his milieu. He is famous for his experiments in vacuum forming, making use of a commercial process to add literal depth to the bulbous two-dimensional forms he had developed in earlier drawings and paintings. The process allowed the same mold to be used and reused, the same shape executed in various colour combinations. Many of the vacuum formed works utilised mechanical and biomorphic forms with contours that are simultaneously geometrical and organic, for example bubbles, flowers and sinuous sheets. Colour was integral to the material, as well as being treated to complex sprayed finishes, often appearing alarmingly otherworldly and futuristic. With structure and surface unified, Kauffman was able to investigate the core principles of light, space and colour, using a modern commercial technology to forge a new vision.
Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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