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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Ava Seymour

b. 1967, New Zealand

Photographer Ava Seymour ‘s collaged photographs have been the subject of controversy since she began exhibiting in the early 1990s with the artist assembling images that reveal humanity’s dislocated engagement with the world.

Seymour graduated from the Prahran College of Tafe, Melbourne (1989) and has work in the collection of the Auckland Art Gallery.

In Ocula Magazine

'Freedom Farmers' At The Auckland Art Gallery Ocula Report 'Freedom Farmers' At The Auckland Art Gallery 4 Dec 2013 : Kate Brettkelly-Chalmers for Ocula

Occupying the lion’s share of exhibition space at the Auckland Art Gallery, Freedom Farmers is said to be the museum’s largest survey of contemporary art in the last twenty-five years. Curated by the gallery’s own Natasha Conland, the exhibition looks at how the utopian energy of the 1970s is being artistically deployed in...

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Natasha Conland Ocula Conversation Natasha Conland Curator, Contemporary Art, Auckland Art Gallery

Natasha Conland is Curator, Contemporary Art at the Auckland Art Gallery, Auckland, New Zealand. She has curated numerous exhibitions including A Puppet A Pauper A Pirate A Poet A Pawn & A King: From the Naomi Milgrom Art Collection (2013); Made Active: The Chartwell Show (2012); the 4th Auckland Triennial, Last Ride in a Hot Air...

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In Related Press

Artists in aid mission Related Press Artists in aid mission Stuff : 4 February 2015

Every week, another funeral. Gravesides. Scattered ashes. An act of love, suddenly a conduit to fear and disease. In 1992, a record number of New Zealanders died of Aids. Artists responded. Implicated and Immune at Auckland's Fisher Gallery (now Te Tuhi Centre for the Arts) was a group exhibition praised for its "initiative, courage and...

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