DALE LEWIS

This is combined with the artist’s personal encounters and acute eye for the everyday human dramas that play out in the urban environments he frequents, and filtered through a distinct authorial subject position as a white, gay male of working-class upbringing possessing the satirical, good-natured-but-brutal sense of humour that characterizes much British creative output

The result is a visual language equal parts Martin Parr meets Chris Morris, Rembrandt-cum-Basquiat; plausibly grotesque, amplified to absurdity, narrative-laden and energetically complex.

Courtesy JARILAGER Gallery