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Art Basel in Hong Kong: Exhibitions to See Ocula Report Art Basel in Hong Kong: Exhibitions to See 23 Mar 2019 : Tessa Moldan for Ocula

For those visiting during Art Basel in Hong Kong (29–31 March 2019), the smell of fresh paint may still be in the air at the latest heritage conservation project, The Mills, which opened on 16 March to encompass the Centre for Heritage, Arts and Textiles (CHAT), joining the ranks with ex-prison complex Tai Kwun, along with Eaton HK—a retro...

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Firenze Lai Ocula Conversation Firenze Lai

Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely...

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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Related Press

M+ of West Kowloon Cultural District receives donation of artworks from Hong Kong collector Hallam Chow

Rebecca Close Art Radar Journal First published on 19 October 2016
Winning Architectural Design of M+ Building by Herzog & de Meuron + TFP Farrells. Image courtesy West Kowloon Cultural District.

M+ has been steadily building their collection since the late 2000s, unlike many of the museums built in the period 1990-2010 as part of a global museum building boom and that opened without a single artwork to their name. Barcelona’s Museu d’Art Contemporani, London’s The Power Station of Art and Beijing’s Red Brick Contemporary Art Museum all opened without a permanent collection.

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