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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Koo Jeong A

b. 1967, South Korea

Since the early 1990s, Koo Jeong A has made works that are seemingly casual and commonplace, yet at the same time remarkably precise, deliberate, and considered. Her reflections on the senses and the body incorporate objects, still and moving images, audio elements, and aromas. Many of her works are conceived within site-specific environments that question the limits of fact and fiction, the imaginary and actuality of our world. Koo considers the connection of energies between a place and people, relying on chance to drive her encounters.

In realising her spaces and images, she draws from a wide spectrum of concerns which she developed over the years. Ranging from human cognition, to the philosophy of Taoism, from the science of Qi, to the interaction of natural elements such as earth, fire, metal, water, and wood. In her environments, nothing is merely ordinary; on the contrary, any material or phenomena–be it a mound of charcoal, a shaft of iron, or a glare of sunlight–is endowed with dignity and reverence and incites the surprise of a discovery. To venture near Koo’s work is to travel unreservedly through a cosmos of unassuming large and small forms, mysterious dwarfed spaces, and perilous landscapes of memories.

Koo Jeong A was born in 1967 in Seoul, Korea. She has been named ‘2016 Artist of the Year’ by the Korean Cultural Centre UK, celebrated with a solo exhibition in London in October 2016. Recent solo exhibitions and commissions of her work include: ajeongkoo, Art Sonje Center, Seoul (2017); Enigma of Beginnings, Yuz Project Room at Yuz Museum, Shanghai (2016); Koo Jeong A x Wheelscape: Evertro, Everton Park, Liverpool (2015); Annual Journey, Pilar Corrias, London (2015); Oussser, Fondazione La Raia, Novi Ligure (2014); Koo Jeong A: 16:07, Kunsthalle, Dusseldorf (2012); OTRO, Centre international d’art et du paysageIle de Vassivière, Vassivière (2011); E opened his eyes he is now walking, CCA KITAKYUSHU Project Gallery, Kitakyushu (2011); Constellation Congress, DIA Art Foundation, Dia:Beacon, Beacon, The Dan Flavin Art Insitute, Bridgehampton (2010); Koo Jeong A, Aspen Art Museum, Aspen (2008); Flash Cube at Leeum, Samsung Museum of Art, Seoul (2007).

Significant group exhibitions include: Take Me (I’m Yours), Pirelli Hangar Bicocca, Milan (2017); 32nd Bienal de São Paulo Incerteza Viva [Live Uncertainty], São Paulo (2016); Art Night, curated by ICA, London (2016); Take me (I’m Yours), Kunsthal Charlottenborg, Charlottenborg (2016); Discordant Harmony, Hiroshima Museum, Hiroshima (2015); recto/verso, Foundation Louis Vuitton, Paris (2015); Take me (I’m yours), Monnaie de Paris, Paris (2015); The World in 2015, UCCA, Beijing (2015); Repetition and Difference, Jewish Museum, New York (2015); Burning Down the House – 10th Gwangju Biennale, curated by Jessica Morgan, Gwangju (2014); Inhabiting the World – the 6th Busan Biennale, Busan (2014); Real DMZ Project 2014, Cheorwon-gun, Gangwon-do & Artsonje Center, Seoul (2014); A stroll through a fun palace, Swiss Pavilion at 14th Architecture Biennale, Venice (2014); Real DMZ Project 2013: Borderline, Border area near DMZ, Cheorwon-gun, Gangwon-do, South Korea (2013); En suspension, FRAC – Pays de la Loire, Carquefou, France (2013); In Situ, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan (2013); Media Landscape – Zone East, Liverpool Biennial, Liverpool (2010); Your Bright Future, LACMA, Los Angeles (2009); 53rd International Art Exhibition of the Venice Biennale, Venice (2009); Il tempo del postino, Manchester International Festival, Manchester (2007); The Moscow Biennale, Moscow (2005); On Reason and Emotion, 14th Biennale of Sydney, Sydney (2004); Singular Forms (Sometimes Repeated), Guggenheim Museum, New York (2004); 50th International Art Exhibition of the Venice Biennale, Venice (2003); Yokohama Triennale, Yokohama (2001); Manifesta 3, Ljubljana (2000); Gwangju Biennale, Gwangju (1997); Do it, curated by Hans-Ulrich Obrist, Independent Curators Incorporated, New York (1997); Manifesta 1, Rotterdam (1996); 46th International Art Exhibition of the Venice Biennale, Venice (1995).

Koo Jeong A lives and works everywhere.

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Featured Artworks

View All (32)
New work for Basel by Koo Jeong A contemporary artwork
Koo Jeong ANew work for Basel, 2018 Ferrite magnets
Pilar Corrias
unlock 162 by Koo Jeong A contemporary artwork
Koo Jeong Aunlock 162, 2018 162 ferrite magnets
Pilar Corrias
8/2018 by Koo Jeong A contemporary artwork
Koo Jeong A8/2018, 2018 Ferrite magnets
78 x 10 x 10 cm
Pilar Corrias
untitled by Koo Jeong A contemporary artwork
Koo Jeong Auntitled, 2018 Magnetic paint, acrylic paint, magnetic filings on canvas
40 x 30 x 2.5 cm
Pilar Corrias
1/2018 by Koo Jeong A contemporary artwork
Koo Jeong A1/2018, 2018 Ferrite magnet, 560 magnets
160 x 120.5 x 1 cm
Pilar Corrias
2/2018 by Koo Jeong A contemporary artwork
Koo Jeong A2/2018, 2018 Ferrite magnet; 578 magnets
102.5 x 102.5 x 0.3 cm
Pilar Corrias
3/2018 by Koo Jeong A contemporary artwork
Koo Jeong A3/2018, 2018 Ferrite magnet, Portland stone
16 x 35 x 35 cm
Pilar Corrias
4/2018 by Koo Jeong A contemporary artwork
Koo Jeong A4/2018, 2018 4250 Ferrite magnets, Portland stone
31.5 x 40 x 70 cm
Pilar Corrias

Recent Exhibitions

Represented By

In Related Press

Critic's Guide: Seoul Related Press Critic's Guide: Seoul Frieze : 20 September 2017

This huge retrospective of Krzysztof Wodiczko's work presents everything from his early objects concerning censorship under a Polish socialist government to his 'cultural prosthetics' for the homeless and immigrants to his projections on monuments and civic buildings. The artist's lifetime interest in the interventions in public spaces by minority...

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Koo Jeong A: 'Riptide' at Korean Cultural Centre UK, London Related Press Koo Jeong A: 'Riptide' at Korean Cultural Centre UK, London ArtAsiaPacific : 18 November 2016

Riptide sets out as a solo show by Korean-born artist Koo Jeong A, but opens up to include an assortment of works by nine artists responding to her pen drawing Civilising Process (2005), in which a giant bird in flight clutches a human figure. Here, translation is the main device and subject of the exhibition. In the process of translating, as...

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A strong showing of South Korean art in London Related Press A strong showing of South Korean art in London Art in America : 11 November 2016

Is South Korea enjoying an artistic moment in the West? The second book by novelist Han Kang to be translated into English, Human Acts, appeared this year, and her first, The Vegetarian, has won the Man Booker International Prize. The country’s prominent poet Ko Un was tipped to win the 2016 Nobel for Literature. But what of the...

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