Tschabalala Self discusses her representations of Black bodies as sites of multiplicity.

See eight of the most collectible art works made during a hard but historic year.

Sophie von Hellermann's loose style creates swirling scenes of dance and pursuit.

Several galleries have chosen to show works they either couldn't have realised in a booth or look just as enticing on a device.

'Climate change is not an issue of the environment,' writes the Global South collective Wretched of the Earth in the preface to a letter pleading for Extinction Rebellion to reconsider the tactics and politics of their struggle. 'It is an issue of power, violence and greed; it is political and it requires systems change.'

Looking at the work of Cui Jie from a northern European perspective, the first error is probably to think you're seeing some form of lament for a modernist past. That narrative is fairly familiar now, based on a longing for the largest-scale remnants of the material culture of postwar social democracy or state socialism—the buildings they...

Last month, a new sake bar opened at London's Institute of Contemporary Arts: a softly lit tunnel of booze that promises the kind of entrancing conversation one can never quite remember the next morning. A permanent installation designed by the artist Rirkrit Tiravanija, untitled 2019 (the form of the flower is unknown to the seed) is furnished...

If you're just finding out about the artist Tschabalala Self—who, at 29, already has already established both industry cred and a cult following—it's more likely than not a little late for you to acquire some of her work for yourself.

Sophie Von Hellermann's paintings recall the look of fables, legends, and traditional stories that are imbued with the workings of her subconscious, rather than the content of existing images.