Matt Arbuckle's practice is a process-driven exploration of place, representing landscapes that are conceptualised through their very making. Through an experimental practice that favours process over outcome, Arbuckle uses elements of traditional Japanese shibori dying techniques to create abstract compositions by wrapping, twisting, folding and draping the fabric over found surfaces and structures. The resulting paintings use depth and movement to trace and reveal abstract memories, imprinting the experience of place into the artwork.
Read MoreMatt Arbuckle lives and works between Melbourne and Auckland. He graduated from Unitec Institute of Technology, Auckland, with a Bachelor of Fine Arts in 2009. Arbuckle has held solo exhibitions at Daine Singer (Melbourne), Two Rooms (Auckland), Vermont Studio Centre (USA), Parlour Projects (Hawks Bay, New Zealand), Tim Melville (Auckland), Paulnache Gallery (Gisborne, New Zealand), Baustelle Gallery (Berlin). Groups exhibitions include ChaShama (New York), Drill Hall Gallery (Canberra), Hugo Michell Gallery (Adelaide), TCB (Melbourne), Hanging Valley (Melbourne), The Pah Homestead, TSB Wallace Arts Trust (Auckland), Arbuckle has also participated in Sydney Contemporary, and Melbourne and Auckland art fairs. In 2017 Arbuckle was the recipient of the James Wallace Art Fellowship to Vermont Studio Centre, USA. He has forthcoming solo exhibitions in 2020 at Two Rooms (Auckland) and Hastings City Art Gallery (Hastings, New Zealand). Arbuckle's work is held in the Chartwell Collection, Auckland Art Gallery Toi o Tamaki, James Wallace Arts Trust and Arthur Roe Collection.
Text courtesy Daine Singer.