HomePage Artists

b. 1981, Austria

Oliver Laric Biography

Through sculpture and video, Oliver Laric explores the consumption and production of images in the age of the internet. Modifying pre-existing photographs, animations and sculptures to question authorship and originality, Laric presents that which we might consider to be unique as disturbingly ordinary, underlining the uncertainties of the internet age.

Read More

Laric's earliest artwork exists only on the internet in the form of a curated blog called VVORK, which he started in 2006 with fellow University of Applied Arts Vienna alumni Aleksandra Domanović, Christoph Priglinger and Georg Schnitzer. Running actively until 2012, VVORK was a site where Laric and his peers posted images of their artworks. At its peak, the website had over 20,000 daily visitors and sparked heated debates over whether an artwork could be properly experienced without seeing it in the flesh, a topic that remains important and controversial.

For his work Touch My Body: Green Screen Version (2008), which also exists online, Laric sent the music video for Mariah Carey's song by the same name to a company in India and asked them to replace the video's background with a green screen. Laric encouraged internet users to place new content over the green screen, putting the singer in front of backgrounds such as a fried chicken commercial and gory zombie scenes from the 2004 film Sean of the Dead. This project incited the realisation that anything can be sexualised; no material is sacred if it exists on the web.

Further confronting the mutability of images online, and commenting on the media's ability (or lack thereof) to portray the truth, Laric created the video series 'Versions' (2009-2012). In the videos, images of pop culture figures such as NBA basketball stars and basketball players from Japanese manga are juxtaposed to show uncanny similarities. Laric constantly reworked his videos, making a meta-argument that even his own artwork could not be defined as the images it contains are malleable and continuously in flux. At one point, Versions reveals how a photo that was used to illustrate Iran's missile tests in 2008—which appeared in major American newspapers—was digitally manipulated. The image is followed by other fabricated snapshots of the missiles that parody the blurring of reality and fiction in mass media.

Expanding beyond the internet as a mode of distribution, Laric has entered the more tangible world of contemporary art by creating sculptures. Usually 3D scans of historical sculptures, Laric makes them freely available to the public through his website www.threedscans.com, allowing anyone with a knowledge of 3D modelling to modify his works. The Hunter and His Dog, for example, is Laric's sculpture based on John Gibson's 1838 version and was printed with multi-coloured resin for a 2015 exhibition at Tanya Leighton in Berlin. The work has the appearance of an anatomical model, but is also reminiscent of a sort of techno-bot, dovetailing the past with the present.

In 2018, Laric held his first solo exhibition in New York at Metro Pictures Gallery, titled Year of the Dog, which comprised animations and three sculptures. The sculptures, all entitled Hundemensch, were created from the same mould but finished with different colour resins. Unlike his previous sculptural works, the artist was not inspired by a pre-existing sculpture for the Hundemensch works. Instead, Laric cited mythical creatures such as the Hundemensch—the German term for the dog-headed man that appears as architectural ornaments in Romanesque and Gothic cathedrals—as his source of inspiration.

Recent solo shows include exhibitions at the Saint Louis Art Museum, Missouri (2019); S.M.A.K, the Municipal Museum of Contemporary Art Ghent, Belgium (2018); Kunstverein Braunschweig, Germany (2018); Metro Pictures Gallery, New York (2018); and Tanya Leighton, Berlin (2018). Other important shows include Photoplastik (2016) at Secession, Vienna; Oliver Laric: Versions at the MIT List Visual Arts Center in Cambridge, Massachusetts (2013); and Triennial: Surround Audience at New York's New Museum in 2015.

Laric lives and works in Berlin.

Deanna Grayson | Ocula | 2018

Exhibition view: Group Exhibition, local talent, curated by Thomas Demand, Sprüth Magers, Berlin (4 July–22 August 2020). Courtesy Sprüth Magers. Photo: Timo Ohler.

Oliver Laric Featured Artworks

Reclining Pan by Oliver Laric contemporary artwork
Oliver LaricReclining Pan, 2019Stereolithography, selective laser sintering, polyamide, polyurethane, pigments, aluminium base
145.7 x 151.7 x 83.7 cm
Sprüth Magers Enquire
Hundemensch by Oliver Laric contemporary artwork
Oliver LaricHundemensch, 2018Polyurethane, pigment
20 7/8 x 20 1/2 x 22 13/16 inches
Metro Pictures Contact Gallery
Beethoven by Oliver Laric contemporary artwork
Oliver LaricBeethoven, 2016Selective laser sintering, polyamide, aluminium base
266.1 x 121 x 181 cm
Metro Pictures Contact Gallery
Untitled Rendering by Oliver Laric contemporary artwork
Oliver LaricUntitled Rendering, 2018Diasec mounted chromogenic print
175.3 x 120 cm
Metro Pictures Contact Gallery
Hermanubis Relief by Oliver Laric contemporary artwork
Oliver LaricHermanubis Relief, 2017Polyurethane, pearlescent pigment, glass fiber, epoxy
51.4 x 41.9 x 1.9 cm
Metro Pictures Contact Gallery
Reclining Pan by Oliver Laric contemporary artwork
Oliver LaricReclining Pan, 2018Stereolithography and selective laser sintering, Polyamide, Polyurethane, pigments, aluminium base

Sold
Metro Pictures

Oliver Laric Current & Recent Exhibitions

View All (5)
Contemporary art exhibition, Group Exhibition, local talent at Sprüth Magers, Berlin
Open Now
4 July–22 August 2020 Group Exhibition local talent Sprüth MagersBerlin
Contemporary art exhibition, Group Exhibition, Dog Days at Metro Pictures, New York
Closed
1 May–1 August 2020 Group Exhibition Dog Days Metro PicturesOnline Only
Contemporary art exhibition, Group Exhibition, 'Armageddon' at Metro Pictures, New York
Closed
21 April–1 August 2020 Group Exhibition 'Armageddon' Metro PicturesOnline Only

Oliver Laric Represented By

Metro Pictures contemporary art gallery in New York, USA Metro Pictures New York

Oliver Laric In Related Press

Strange Days review – fishy kisses, naked prancing and ribald revenge Related Press Strange Days review – fishy kisses, naked prancing and ribald revenge 3 October 2018, The Guardian

Strange Days: Memories of the Future is overwhelming: complex, at times annoying and confusing, repetitive, uplifting and baffling. Like life, really. Films and videos by 21 artists are spread over three floors of the Store X on London's Strand.

Fade out copy.
Read More
Oliver Laric Celebrates the Year Of The Dog At Metro Pictures Related Press Oliver Laric Celebrates the Year Of The Dog At Metro Pictures 8 March 2018, Forbes

Cryptozoology, the study of hidden animals, has its origins in the Greek word kryptos, meaning concealed or enigmatic. According to the International Cryptozoology Museum, located in Portland, Maine, cryptozoology 'has moved from a shadowy world of travelogues to academic respectability and beyond.' How far beyond is uncertain, but the roster of...

Fade out copy.
Read More
OLIVER LARIC Related Press OLIVER LARIC 26 February 2018, Artforum

I am interested in moving towards uncertainty. My work offers attempts to reinscribe or open up the material I'm looking at and make it less categorical. I feel more comfortable with the idea of objectivity—or even authenticity—when it's not bound to a single reality or single narrative.

Fade out copy.
Read More

Be among the first to know when new artworks and exhibitions by Oliver Laric are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
;
iCal
GoogleYahooOutlook