Rowan Panther (Ngāti Maniapoto, Pākehā, b. Whangārei, 1978) is an Aotearoa New Zealand artist and contemporary jewellery maker known for finely knotted muka lace that connects bodily adornment with whakapapa, landscape, and fibre traditions.
Announced in 2024 as a McCahon House Parehuia Artist in Residence, she undertook the residency from September to December 2025 in Titirangi, West Auckland, returning to the suburb where she first learnt lace-making as a teenager. Working between art, jewellery, and textile, Panther’s intricate neckpieces, chest adornments, and ritual vessels explore how wearing can be a form of ceremony, memory, and collective story-telling.
Panther grew up in Northland and Auckland, discovering lace-making while at high school in Titirangi. She later studied fashion and textile design in Tāmaki Makaurau, where she began combining European bobbin lace structures with muka, the prepared inner fibre of harakeke (New Zealand flax).
Now based between Tāmaki Makaurau and Te Tai Tokerau, Panther works from a studio practice grounded in Māori fibre knowledge and sustained relationships with weavers and growers. During her 2025 McCahon House Parehuia residency she researched the bush and coastal ecologies around French Bay, developing new works that responded to the McCahon family home and the layered histories of the site.
Rowan Panther’s artworks centre on muka lace jewellery and fibre-based sculptural adornments that are made to be worn, to hang, and to gather on the body like living architecture. Her works often involve slow, labour-intensive knotting and plaiting techniques that push muka to behave like thread, rope, and fabric all at once.
Panther began developing muka lace after experimenting with bobbin lace patterns using harakeke fibre supplied by weaver friends and whānau. Early works established her signature combination of delicate lace structures with robust, almost armoured silhouettes that sit close to the chest and throat. Garland magazine has described her practice as ‘knotting culture’, noting how the repetitive movement of lace-making becomes a way of braiding together whakapapa (genealogy), land, and identity.
Panther’s pieces range from intimate neck adornments to larger works that function as sculptural garments or suspended forms. Her work appears in Te Papa Tongarewa’s applied arts and design collections, including the lei work Lei #1 and pieces from the category Ritual Vessels, which imagine lei-like forms as containers for breath, voice, and presence. She has created installation-scaled arrangements of muka lace for exhibitions in Aotearoa and Australia, extending jewellery logics of fastening and clasping into room-scale environments.
In 2021 the exhibition Pieces of Place at Masterworks Gallery, Auckland, brought together works that meditated on belonging and displacement through intricately worked muka lace and collected natural materials. Panther has also contributed to projects such as the New Zealand Fashion Museum’s ‘Fashioning Assembly Aotearoa’ and Deep Material Energy II at the Australian Design Centre, which highlighted her interest in how contemporary jewellery can hold community, protest, and care.
Rowan Panther has been the subject of solo exhibitions and included in significant group exhibitions in Aotearoa New Zealand and internationally. Below is a selection of important exhibitions.
Rowan Panther’s Instagram can be found here.
Rowan Panther is a contemporary artist and jeweller from Aotearoa New Zealand whose practice focuses on muka lace adornments that connect body, fibre, and whakapapa. Drawing on Māori and European textile lineages, Rowan Panther creates artworks that move between jewellery, sculpture, and textile to explore identity, whenua, and collective memory.
You can see work by Rowan Panther in the collections of Te Papa Tongarewa, Museum of New Zealand, Wellington, where pieces such as Lei #1 and works within the Ritual Vessels category are held. Panther’s work has also been exhibited at institutions and galleries including Te Uru Waitākere Contemporary Gallery in Titirangi, Pātaka Art + Museum in Porirua, Masterworks Gallery in Auckland, and the Australian Design Centre in Sydney.
Rowan Panther is based in Tāmaki Makaurau Auckland and works closely with communities and landscapes in Te Tai Tokerau Northland. Her 2025 McCahon House Parehuia residency also reconnected her with Titirangi in West Auckland, where she first learnt lace-making.
Rowan Panther’s first name is pronounced ‘ROH-uhn’ and her surname is pronounced ‘PAN-thur’. This follows standard English pronunciation for the given name Rowan and the word ‘panther’.
Rowan Panther is exhibited by leading contemporary craft and art jewellery galleries, including Masterworks Gallery in Auckland and jewellers’ spaces such as Fingers. You can explore sites like Ocula to find out which Ocula galleries represent the artist and enquire directly about buying art by Rowan Panther.
Ocula | 2026

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services