Sean Scully is one of the most important painters of his generation, whose work is held in major museum collections around the world. While known primarily for his large-scale abstract paintings, comprised of vertical and horizontal bands, tessellating blocks and geometrical forms comprised of gradated and shifting colours, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolour and pastel. Having developed a style over the past five decades that is uniquely his own, Scully has cemented his place in the history of painting. His work synthesises a thoroughly international collection of influences and personal perspectives–ranging from the legacy of American abstraction, with inspiration from the likes of Mark Rothko and Jackson Pollock, and that of European tradition, with nods to Henri Matisse and Piet Mondrian, as well as references to classical Greek architecture. While monumental in scale and gesture, Scully’s work retains an undeniable delicacy and sincerity of emotion.Read More
Sean Scully was born in Dublin in 1945 and raised in South London. Wanting to be an artist from an early age, Scully attended evening classes at the Central School of Art in London from 1962 to 1965, and enrolled full time at Croydon College of Art, London from 1965 until 1968. He received his Bachelor of Arts from Newcastle University in 1972. He was awarded the Frank Knox Fellowship to Harvard University in 1972, where he visited the United States for the first time. In 1975, he moved to New York full-time. Today, he lives and works between New York and Bavaria. With a career that spans more than five decades, he has received numerous accolades and has been the subject of multiple touring exhibitions. In 2014, he became the first Western artist to have a career-length retrospective in China. Follow the Heart: The Art of Sean Scully 1964 – 2014 included over 100 paintings and travelled from Shanghai to Beijing. Scully was named a member of the Royal Academy of Arts in London in 2013, and has twice been shortlisted for the Turner Prize. He has received honorary degrees from institutions such as the Massachusetts College of Art, Boston; the National University of Ireland, Dublin; Universitas Miguel Hernandez, Valencia; Burren College of Art, National University of Ireland; Newcastle University, UK, among others. Additionally, the esteemed art critic Arthur Danto published a series of essays and conversations on Scully in 2014, which documents his unrivalled influence through selected essays and conversations. A gifted composer of language in his own right, a collection of Scully’s writing, selected speeches and interviews was published by Hatje Cantz in 2016.
Scully’s work will be featured in forthcoming solo presentations at The Wadsworth Atheneum, Hartford (Sean Scully: Landline, 23 February–19 May 2019); National Gallery of Art, London (Sea Star: Sean Scully at the National Gallery, 13 April–11 August 2019); Villa Panza, Fondo Ambiente Italiano, Varese (Sean Scully: Long Light, 19 April 2019 –12 January 2020); LWL-Museum for Art and Culture, Münster (Vita Duplex, 5 May–8 September 2019); San Giorgio Maggiore, Venice (Sean Scully: Human, 11 May–24 November 2019); Instituto Cultural Cabañas, Guadalajara, Mexico (Sean Scully: Mexico Watercolors, 23 May–29 September 2019) and the Albertina, Vienna (Sean Scully: Eleuthera, 7 June–8 September 2019).
Significant recent solo exhibitions of his work include Sean Scully: Landline at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. (13 September 2018–3 February 2019); Sean Scully: Inside Outside at Yorkshire Sculpture Park, Wakefield (29 September 2018–6 January 2019); Landlines and other recent works at De Pont Museum of Contemporary Art, Tilburg (21 April–26 August 2018); Vita Duplex at Staatliche Kunsthalle Karlsruhe (24 March–5 August 2018); Sean Scully at Cuadra San Cristóal, Mexico City (7 February–24 March 2018); Facing East at State Russian Museum – Marble Palace, St. Petersburg (3 March–9 May 2018) and Multimedia Art Museum, Moscow (3 November–10 December 2017); Resistance and Persistence, Museum of the Nanjing University of the Arts (8 April – 8 May 2016), which travelled to the Museum of Art, Guangzhou, China (6 September–9 October 2016) and Hubei Art Museum, Wuhan (10 January–12 March 2017); and Follow the Heart: The Art of Sean Scully 1964–2014 at Shanghai Himalayas Art Museum (23 November 2014–25 January 2015), which travelled to Central Academy of Fine Art (CAFA), Beijing (12 March–23 April 2015). In 2015, Scully participated in the Venice Biennale with a solo exhibition, Land Sea, at the Palazzo Falier.
Sean Scully’s work is in the permanent collections of numerous important institutions including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; The National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Art Gallery of Ontario, Canada; Tate Modern, London; Irish Museum of Modern Art, Dublin; De Pont Museum of Contemporary Art, Tilburg; Kunstsammlung Nordrhein-Westfalen, Düsseldorf; Museo Nacional Centro de Arte Reina Sofia, Madrid; Albertina, Vienna; and Guangdong Museum of Art, Guangzhou, China, among many others. In 2015, a permanent site-specific installation of his work was unveiled at the Romanesque chapel Santa Cecilia de Montserrat, near Barcelona.
Text courtesy Lisson Gallery.
Gallery Weekend Berlin launches its second event of the year with galleries presenting artists whose work is lesser known to the broader public.
I'm very tenacious intellectually, and very hot emotionally. I think that's like a galloping stage coach, you know, with a black horse and a white horse pulling it.
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