Sherman Ong is a filmmaker, photographer and visual artist. His practice has always centred on the human condition and our relationships with others within the larger milieu. Ong develops a wide corpus on various themes linked by his photographic fragile and moving aesthetics. Human figures evolving in disrupted public places and overwhelmed by the changing nature of space – affected by the monsoon, the wildness or the bundling up of urban sites, seem to be looking for a localised identity. Seeking relationships and belongings, characters are often immortalised in action as if the latter was a unique conveyor of meaning, the only common ground in such a varied and fluid environment. Is space escaping or are humans running away from it? Sherman Ong patterns and unfolds this recurrent question structured by the paradoxical human quest and suspicion to infrastructures.

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