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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Bruce Nauman

b. 1941, USA

Bruce Nauman likes to work in isolation on his farm, removing himself from the buzzing chatter of city life and the art world. His practice is shaped by personal interests such as ethics, politics, the body and language. Although he works across a range of media such as video installation, performance, sculpture, neon and photography, he is known as a conceptual artist whose work often unsettles his audience, making them aware of their own physical bodies and beliefs. 

Nauman’s neon pieces—some of his most famous works—often explore the semantic possibilities and visual puns that occur when rearranging letters, such as Perfect Door/Perfect Odor/Perfect Rodo (1972) and Run from Fear, Fun from Rear (1972). Through this process of infusing satirical and absurd meaning into language, viewers begin to consider the role of semantics and the language of politics.  

However, Nauman’s meaning is not always discovered immediately—viewers must dig deep to gauge his intention. When successful, onlookers are rewarded with themes that are pertinent to the everyday and range from life and death to spirituality and ethics. For those who do not dig deeper and instead take Nauman’s work at face value, other issues regarding the artist’s intent and misrepresentation surface. This is what the artist wants to be considered. The processes of art-making and transformation and the question of art’s purpose become relevant factors. Nauman’s work also references extreme mental states: despair, glee, humiliation, humour and hostility, to name a few. 

Though Nauman’s work is associated with Minimalism, he does not conform to the fastidious finish and slickness often seen within the movement. Instead, his works seem crude or haphazard. Nauman also jumps between different media and style. This versatility has made Nauman all the more engaging and his work all the more challenging. For these reasons he is considered one of the most influential and prominent American artists today.  

Nauman spent his childhood moving around various Midwestern locations. He graduated in 1964 from the University of Wisconsin, Madison with a bachelor’s degree in science and a minor in painting. That year he gave up painting and began experimenting with sculpture and performance art and collaborating on film projects. In 1966, he received an MFA from the University of California, Davis. His teachers there were working in sculpture outside its norms of the time, leading him to question his understanding of art and critique prominent methods and styles. From this, Nauman came to understand art as less of a product and more of an activity—asserting that anything made in an artist's studio could be art. Capturing 'performed actions', between 1966 and 1970, he worked extensively with video, focusing on behavioural codes of the body that went on to influence the next generation of video artists. Shot in real time, he produced a number of these works between his two studios in San Francisco and Mill Valley, California. 

Jessica Douglas | Ocula | 2017
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Featured Artworks

Caffeine Dreams by Bruce Nauman contemporary artwork
Bruce NaumanCaffeine Dreams, 1987 Offset lithograph
75.2 x 61 cm
Simon Lee Gallery
Life Mask by Bruce Nauman contemporary artwork
Bruce NaumanLife Mask, 1981 Lithograph on Arches Cover paper
28 x 38 inches
Krakow Witkin Gallery
Triangle by Bruce Nauman contemporary artwork
Bruce NaumanTriangle, 1977–1986 Cast iron
27 x 500 x 433 cm
Simon Lee Gallery
Pearl Masque by Bruce Nauman contemporary artwork
Bruce NaumanPearl Masque, 1981 One color lithograph on Arches 88 paper
28 5/8 x 37 5/8 inches
Krakow Witkin Gallery

Current & Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, The Sylvio Perlstein Collection A Luta Continua at Hauser & Wirth, Hong Kong
Open Now
23 May–27 July 2019 Group Exhibition The Sylvio Perlstein Collection A Luta Continua Hauser & Wirth, Hong Kong
Contemporary art exhibition, Group Exhibition, Studio Photography: 1887–2019 at Simon Lee Gallery, New York
Open Now
27 June–16 August 2019 Group Exhibition Studio Photography: 1887–2019 Simon Lee Gallery, New York
Contemporary art exhibition, Group Exhibition, Metal at Simon Lee Gallery, London
Closed
17 January–23 February 2019 Group Exhibition Metal Simon Lee Gallery, London

Represented By

In Related Press

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How Artist Bruce Nauman Plays at the Edges of the Human Related Press How Artist Bruce Nauman Plays at the Edges of the Human Frieze : 13 February 2019

'My work', Bruce Nauman told Art in America in 1988, 'comes out of being frustrated about the human condition.' Black radical aesthetics and criticism prefigured my encounter with Disappearing Acts, the artist's retrospective survey at the Museum of Modern Art and MoMA PS1 in New York, which was first mounted at The Schaulager last summer in...

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Bruce Nauman at Museum of Modern Art and MoMA PS1 Related Press Bruce Nauman at Museum of Modern Art and MoMA PS1 Dore Bowen : 1 January 2019

Bruce Nauman provokes mixed emotions by creating situations rather than presenting figures for us to fear, pity, or empathize with. His artworks position us not as viewers but as participants, often unwilling. These situations vary in effect from pleasurable to nearly intolerable, as evidenced by the 170 works featured in the artist's mammoth...

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Among Things Related Press Among Things Art in America : 1 December 2018

EVERY ONCE IN a while I get an artwork stuck in my head. Bruce Nauman's A Cast of the Space Under My Chair (1965–68) was one such work. For years, while sketching new sculptures or gabbing in a studio visit, I would remember it, though I'll admit that for the first few years this happened, I didn't consistently remember who made it. I didn't pause...

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Your Guide to the Best Shows in Basel Related Press Your Guide to the Best Shows in Basel Frieze : 11 June 2018

Bruce Nauman, 'Disappearing Acts'Schaulager17 March – 26 AugustThe Schaulager enjoys immense resources; its founder, Maja Oeri, a trustee of the Museum of Modern Art, New York, and a major donor to its collection, is honoured with a MoMA gallery in her name. Bruce Nauman's detailed survey exhibition, created in collaboration with that New York...

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In Video & Audio

A Luta Continua. The Sylvio Perlstein Collection Related Video & Audio A Luta Continua. The Sylvio Perlstein Collection Hauser & Wirth : 8 May 2018

Unfolding across all three floors of Hauser & Wirth New York, 22nd Street, A Luta Continua is the first United States presentation of the Sylvio Perlstein Collection. Curated by David Rosenberg, the exhibition presents more than 360 works by some 250 artists. Among these are Josef Albers, Carl Andre, Diane Arbus, Hans Bellmer, André Breton,...

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