'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
John Giorno: Audio and Visual Works, 1968–1995, in Ugo Rondinone: I ♥ John Giorno at Red Bull Arts, New York. © John Giorno. Photo Daniel Pérez.
As its title suggests, Ugo Rondinone: I ♥ John Giorno is both a valentine from a sweetheart and an open invitation to explore the legacy of an iconic New York poet. In celebration of John Giorno's eightieth birthday, Swiss artist Ugo Rondinone, who is his husband and occasional collaborator, has restaged and substantially expanded an elaborate exhibition of the same name that appeared at the Palais de Tokyo in Paris in late 2015.
Swiss-born artist Ugo Rondinone is now based in New York. He rose to international acclaim in the early 1990s with highly varied work, the result of refusing to commit to any specific style. He produces paintings, drawings, sculpture (large and small), photography, video, and sound and installation art. He is also a poet, collector and curator.
Rondinone strives to make works that meditate on everyday life and the world and particularly reflect on the theme of time, blurring the distinction between the real and artificial. He avoids producing art that is densely intellectual. In a conversation with Ocula Magazine in 2014, Rondinone claims to work with ‘very basic raw symbols, something that everyone can relate to, from a child to an old person, from the East to the West.’ The emphasis is on creating engagement through experiencing the work first, rather than a conceptual understanding.
The rainbow is one of the most common motifs in Rondinone’s work. From 1997, he began producing lit signs composed of large words—simple poetic titles and phrases—supported high in the air and following the form and colours of the rainbow. At once beautiful and fantastical, the rainbow is also an easily understood LGBT symbol, signifying the freedom to love whom one wants. For Rondinone, this symbol is especially important; he is the longtime partner of famed New York writer, poet and performer, John Giorno.
Rondinone’s use of Day-Glo rainbow colours extends into many other works. One key sculptural motif involves stacking brightly coloured rocks, seen on its grandest scale with his Seven Magic Mountains work in Nevada (11 May 2016–2018). These towers of rough-cut boulders are painted in highly artificial Day-Glo rainbow hues, as well as in black, white and silver. In a press release for the installation, Rondinone stated that he sees this combination of artificial colour and natural rock formations as a continuum ‘between human and nature, artificial and natural, then and now.’
Not all of his work involves bright colour though. Another motif consists of simple primitive figures, composed of roughly hewn stone blocks evocative of Stonehenge. Another still is of mask-like sculptures inspired by indigenous Alaskan Yup’ik masks: aluminium casts made from clay moulds, painted in a single dull colour. Another, yet again in aluminium, is the cast of ghostly olive trees, coated in white enamel.
Within the gallery context, Rondinone is most known for creating multimedia installations. He designs exhibitions that generate a holistic experience. Through meticulous planning—such as working with miniature models—he sets up relations between different works, enhancing them through the layout, colour scheme and architecture of the space itself. In these installations, he brings together different motifs developed over his career in varied configurations to generate different meanings. For example, his lacklustre clown, which appears passively in live-action, video and life-size sculptures, might sit amid his hypnotic, blurred target paintings, floating mandalas or wall paintings made of brick planes coated in single, vivid, Day-Glo colours.
Straddling the divide between gallery and public art, Rondinone has exhibited at major art institutions in the United States, Europe and China as well as at the 56th Venice Biennale, at the same time producing large-scale works for exhibitions in public spaces.
Swiss-born artist Ugo Rondinone entered Shanghai’s Rockbund Art Museum (RAM) like a human prism, shattering the usual museum wall white into the full spectrum of visible color. His solo exhibition, Breathe, Walk, Die, includes concentric circles of blurred colors, plastic filters placed over the museum’s windows to colorize the light...
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