
Alzueta Gallery is pleased to propose a solo presentation by Sabine Finkenauer for Artissima’s Disegni section—an artist whose practice celebrates drawing not merely as a means, but as an end in itself. In her hands, drawing becomes a meditative act, a language of thought and form, where repetition and rhythm transmute into visual poetry. This presentation envisions a space where line, gesture and color unfold in dialogue. Drawing is approached as both process and concept, a tool for reflection and construction, revealing a world both abstract and deeply intuitive.
In this presentation, we propose a carefully curated series of works on paper: compositions in pencil, oil pastel, and acrylic that trace the quiet, deliberate evolution of Finkenauer’s visual lexicon. Her forms are intuitive yet precise, playful yet deeply intentional. Together, these works form a choreography of marks and silences, where variation in size and technique generates a syncopated rhythm, a visual score that draws viewers in at every scale.
At the heart of the space, we envision a central wall featuring a pyramid arrangement of geometric drawings on paper: a constellation of forms that acts as a focal point and anchor. This will be accompanied by two large-format works from her newest Patterns series, alongside more intimate pieces: a delicate drawing from her Flowers series and other small-scale works that enrich the narrative with their subtlety and restraint.
Extending beyond the paper, Finkenauer will intervene directly on the architecture of the booth itself. A large-scale wall mural, spontaneous and site-specific, will echo the fluidity of her drawings while uniting the space with her signature clarity and poise. This painted gesture acts not as backdrop, but as an active element of the exhibition, weaving together the diversity of scale and medium into one continuous visual conversation.
This proposal promises to be an evocative addition to Artissima’s Disegni section. Like a contemplative offering, this presentation is an invitation to slow looking and deep engagement, where meaning arises through repetition, variation, and space.
In her latest exhibitions, Sabine Finkenauer (1961) has focused on architectural aspects, apparently more hedonistic and formal, and has left behind a side that could even be considered romantic because of its themes (related to nature, childhood and feelings), although not because of a happy and luminous tone that is exceptional in today’s art. This tone is maintained in her recent work and I like to believe that it anticipates, that it prefigures a different art and future, already free from post-modern cowardice and the old excuses of nihilism.




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