RASHEED ARAEEN

The exhibition unfolds in two sections. Open Structures presents paintings, sculptures and drawings rooted in the modular, geometric language Araeen began developing in London in the 1960s. Living Archive gathers photographs, performance documentation, unrealised projects and issues of Third Text, the journal Araeen founded in 1987, as an integral part of his work. “Araeen’s work cannot be understood as a closed historical narrative,” says curator Esmeralda Gómez Galera. “I_t remains an ongoing practice whose past continues to generate futures that are still taking shape_.”

Trained as an engineer before turning to art, Araeen has long conceived artistic practice as the construction of open systems, driven by participation, collective agency and a utopian impulse towards social transformation. Many of his projects remained unrealised, not because they were incomplete, but because the social, political or institutional conditions they required never fully materialised. Shown alongside his writing and editorial work, these proposals reveal a body of work in which artistic form and critical thought have always been inseparable.

Araeen’s connection with the region runs deep. He has credited the Gulf, rather than Britain, with the turning point in the recognition of his work, following his 2014 exhibition at Sharjah Art Foundation. In 2021, he staged an edition of Shamiyaana in Abu Dhabi, a communal dining space built on his idea that sharing food is itself a creative act, and his work is held in the collection of the Guggenheim Abu Dhabi.