
Treatise on Bruises, Anca Munteanu Rimnic’s second solo exhibition at Galeria Plan B, brings together a group of new works across a wide range of media, including sculpture, film, photography, and textile. Through an intuitive and imaginative assembly of objects, the artist explores how resonant conditions can be materially produced or inscribed. Her practice centres on the relationships between body, object, and meaning—between self-attribution and external designation, between the visible and the felt. Munteanu Rimnic engages with transitional zones in which objects become sites of projection, opening up specific modes of interpretation through layers of attribution.
“Anca Munteanu Rimnic’s new exhibition is a treatise on bruises, an expanded investigation of skins as conceptual and metaphorical places for her works, skins as they are impacted and transformed by internal or external forces. Skin’s task to delimit separate bodies is made diffuse or blurry, allegorically turned against itself and into a study of confluence. Battered or caressed, resonated or muffled under layers of padding, exposed to inimical circumstances or treated like a precious relic, it mediates the pairing of the corporeal and the abstract in the artist’s project, unifying things and selves and creating a space where they can be imprinted onto one another, engaged in an exchange of attributes.”
– Mihnea Mircan















Anca Munteanu Rimnic (b. 1974 in Bucharest, Romania) lives and works in Berlin.

Plan B was founded in 2005 in Cluj, Romania, on the initiative of Mihai Pop and Adrian Ghenie as a production and exhibition space for contemporary art. The gallery program focuses on researching Romanian art from the past 50 years, highlighting the work of remarkable artists who have had little to no international exposure.

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