'Painting is a form of time travel, of conjuring up the past. Places, spaces people and imagining new possibilities. It is magic.' – Andrew Cranston
Andrew Cranston once described himself as a storyteller of sorts, though without a clear story to tell. He draws on a variety of sources including personal recollections - family histories; his circuitous route to art school via an initial, unsuccessful, foray into carpentry; and his 25-year association as both student and lecturer at Gray's School of Art in Aberdeen. Interwoven with passages culled from literature, anecdotes, jokes, and images from cinema these elements combine to make his idiosyncratic, intimate, and often dream-like, paintings.
But the dream had no sound is the largest exhibition of Andrew Cranston's work to date. It is accompanied by a 164pp publication, available for purchase, featuring an interview between the artist and his friend and colleague, painter Peter Doig. The book also includes over 60 illustrations - each with notes written by the artist - revealing the thoughts and associations that emerge in the process of making a painting.
Press release courtesy Ingleby Gallery.
The Ingleby Gallery in the former Glasite meeting hall in Edinburgh is, in contrast, a brilliant adaptation of what at first must have seemed an unpromising space. It was a church with pews and pulpit, but is now a tall, square hall, perfectly plain and beautifully lit form an enormous central skylight. It is ideally suited to the display of...