
“I went to an art shop and I did not know what brushes to get, so I got a multi-pack. I do not know what is best. Nothing is best. It could be anything. I want everything to be in it. I want to do something without judging or choosing. One cannot judge. It is always artificial. Nothing is best. Things are whatever they are really. Everything really is what it is. In these paintings the different colours can live together in a chord, like a happy family, like the three bears, like flying ducks, like favourite socks in a drawer, like sweet layers of a cake, like steps on a staircase to heaven. A step pyramid is solid and easy to understand. It is a safe structure that is not going to fall down. It is trustworthy. You can see how it is built. The steps are hopefully leading to the top, and you can enjoy the colours on the way up. In a blobby, soupy, ill-defined world it can be helpful to put your ducks in a row.”
– Martin Creed, 2025
Martin Creed was born in Wakefield, England in 1968. Between 1986-1990 he studied at the Slade School of Fine Art, London, England. In 2001 he was awarded the Turner Prize for Work No. 227: The lights going on and off. Recent exhibitions include Martin Creed: What’s the Point of It?, Hayward Gallery, London, England (2014) and Martin Creed: Scales, Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2013).
Lett Thomas is a contemporary art gallery in Tāmaki Makaurau Auckland. The gallery represents international and locally based artists at the forefront of contemporary practice, and presents a programme of exhibitions focused on innovative practices from the present day and preceding decades. In addition, the gallery regularly produces art publications, ranging from artist books to collected writings.

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