Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World 'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...
Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Ocula Insight | Video Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
For over forty years, Marian Goodman Gallery has played an important role in introducing European artists to American audiences and helping to establish a vital dialogue among artists and institutions working internationally. Marian Goodman Gallery was founded in New York City in late 1977. In 1995 the gallery expanded to include an exhibition space in Paris and in 2014 an exhibition space in London. In late 2016 she realised her dream of opening a bookstore and project space in Paris.
In 1965, prior to the establishment of the gallery, Marian Goodman was a founder of Multiples, Inc. which published prints, multiples, and books by leading American artists, such as Richard Artschwager, John Baldessari, Dan Graham, Sol LeWitt, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol. From 1968 to 1975, Multiples worked with European artists, introducing early editions by Joseph Beuys, Marcel Broodthaers, Blinky Palermo and Gerhard Richter to American audiences.
In 1974, after starting to work closely with Marcel Broodthaers, Goodman tried to find a gallery to represent him in New York. America’s knowledge of contemporary European art was scant at this time due to a lack of travel, exposure and exchange of information. She could not find a gallery for Broodthaers and decided to open a gallery of her own to show his work alongside that of other European artists.
Since then, Goodman has used her gallery to show artists who are leaders of their generation: Eija-Liisa Ahtila, Chantal Akerman, Giovanni Anselmo, John Baldessari, Nairy Baghramian, Lothar Baumgarten, Dara Birnbaum, Christian Boltanski, Marcel Broodthaers, Maurizio Cattelan, James Coleman, Tony Cragg, Richard Deacon Tacita Dean, Rineke Dijkstra, Luciano Fabro, David Goldblatt, Dan Graham, Pierre Huyghe, Christina Iglesias, Amar Kanwar, William Kentridge, Steve McQueen, Julie Mehretu, Marisa Merz, Annette Messager, Juan Muñoz, Maria Nordman, Gabriel Orozco, Giulio Paolini, Giuseppe Penone, Gerhard Richter, Anri Sala, Matt Saunders, Thomas Schütte, Tino Sehgal, Ettore Spalletti, Thomas Struth, Hiroshi Sugimoto, Niele Toroni, Adrián Villar Rojas, Danh Vō, Jeff Wall, Lawrence Weiner, Francesca Woodman and Yang Fudong.
Ocula Conversation RoseLee Goldberg: Performance Then and Now RoseLee Goldberg had long been invested in contemporary performance art before her founding of the inter-disciplinary arts organisation Performa in New York in 2004. Born in Durban, South Africa, Goldberg studied political science and fine arts at the University of the Witwatersrand in Johannesburg, and then art history at the Courtauld Institute...
Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Ocula Photolog Art Basel 2019 13 June 2019 'The show's main sector comprises 232 of the world's leading galleries, showing painting, sculpture, drawing, installation, photography, video and editioned works of the highest quality. Art Basel's unique platform for projects that transcend the limitations of a traditional art-fair stand, is curated for the eighth and final year by Gianni Jetzer,...
Related Press William Kentridge’s Indictment of Colonial and Apartheid Injustice Frieze : 26 September 2019 What does it mean to speak? To speak in a way that not only broaches the moral ambiguities of silence, but also probes the limits of speech's capacity to make sense of the world. William Kentridge, the Johannesburg artist and theatre director, addresses this question in a 2018 essay titled 'Let Us Try for Once'. The text forms part of a dispersed...
Related Press Oh, Crap! Thieves Swipe Solid Gold Toilet Worth $6M Hyperallergic : 16 September 2019 While every bathroom is a crime scene, on occasion, this week the art world sighs and chuckles over the latest audacious act of art theft: the removal of America (2016), the solid gold, functioning lavatory by Italian artist Maurizio Cattelan, which until the early morning of Saturday, September 14, was installed in a wood-paneled bathroom at...
Related Press BEYOND GOD AND EVIL – PREFACE: YANG FUDONG Art Asia Pacific : 11 July 2019 Entering Marian Goodman Gallery's London space to view Yang Fudong's solo exhibition, I was stopped short by a wire mesh fence erected just beyond the front desk, barring the way to the exhibition. Somewhat discombobulated, I asked the receptionist, 'Is the show open?' It was; visitors were to walk through a gate set in the fence, and heavy black...
Related Press Never Look Away hitches Gerhard Richter paintings to melodrama set in Nazi Germany Sarinah Maskor : 21 June 2019 'To talk about painting is not only difficult but perhaps pointless, too,' says Gerhard Richter in Corrina Belz's 2012 documentary Gerhard Richter Painting. 'You can only express in words what words are capable of expressing, what language can communicate. Painting has nothing to do with that.' This wisdom is lost on director Florian Henckel von...
Related Video & Audio In The Studio With Hiroshi Sugimoto American Suburb X : 22 February 2016 Directed by Meredith Danluck Music by John Fraser Carpenter.
