Paulo Nimer Pjota creates his large-scale works by combining elements of mythology, alchemy and legend with familiar imagery from hip hop, advertising and comics. By “remixing” and combining the historical and the contemporary, Pjota questions traditional interpretations of “high” and “low” culture.
Paulo Nimer Pjota was born in São José do Rio Preto, a country town in São Paulo state. There were no museums or galleries, but he got into hip hop and joined graffiti crews, moving into working with brushes and selling his first painting aged 15. He moved to São Paulo when he was 17 to study art, graduating from the Centro Universitário Belas Artes de São Paulo in 2010 with his BFA. He followed this up with a qualification in art criticism in 2012.
“When I decided to be a painter, I was just trying to understand myself in the world,” Paulo Nimer Pjota said in 2026. The artist is interested in history and mythology—notably the works of the US historian Joseph Campbell—and combines ideas from fables, alchemy and Greco-Roman history with images from modern street and popular culture. He relates his practice to his childhood love of hip hop, “sampling” and “remixing” elements from cultures we believe are disparate and creating artworks that forge new bonds between contrasting ideas and images. “I draw on the relationship between mundane objects and objects that are completely institutionalised. I am very interested in making it all uneven, with no present hierarchy,” he has said.
Pjota searches scrapheaps and trawls junkyards for large industrial plates that feature indentations and signs of wear from their previous commercial use. In a video on his profile page at Mendes Wood DM, he says that these plates “carry the marks of time”.
Yes, Pjota has experimented with making his own paint. He began by mixing latex and lime but did not get the results he wanted so started buying raw powder pigments and creating his own blends of pigment, binder and water to obtain the “recipe” he wanted.
Yes, dreamscapes are a key element of Pjota’s work: he mixes elements that might be familiar from dreams, such as animals with human heads. “Nothing really makes sense in a dream,” he has said.
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