The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
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Michael Goedhuis will be exhibiting a major solo exhibition entitled Qin Feng: Desire. The exhibition will be held both at Masterpiece and at Michael Goedhuis' Cadogan Square gallery.
Qin Feng is a tough, rebellious, iconoclastic ink artist who has established an international reputation as one of the art-stars of the New Wave of modernist Chinese ink painting. His work has long been recognised and collected by numerous museums both in the West and in Asia and his work has been represented in many of the major international exhibitions throughout the world in the past twenty years.
In the current Chinese cultural environment, where there is a unique concentration of creative effort across all categories- film, music, theatre, philosophy, architecture and design, dance and art itself- Qin Feng stands with the small group of his gifted peers as an artist who is grappling with the challenge of creating a new pictorial language to express the transformation of Chinese society. But in his case, his ambition sweeps beyond China to encompass global aesthetic imperatives and aims to eschew much of the fashionable international mantras of recent years, focusing on making works that do not recoil from taking account of the past in order make sense of the present.
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