On view from March 16 to April 27, the upcoming presentation will mark the artist's first-ever solo exhibition in LA as well as his first solo show in the US since 2019.
One of the most celebrated contemporary painters in China, Li has honed his distinct style—marked by his use of reliefs, tense brushstrokes, and solid colour blocks—over the last 20 years as part of his pursuit "to paint something that had a certain distance from reality," as he once put it. Inflected by history, politics, and culture, Li's art is forged in enactments of accumulation and subtraction, of exposure and obscuration. At once personal, imaginative, and truthful, his deeply expressionistic paintings often depict fragmented, semi-abstract figurations underpinned by narratives that the viewer can decipher and absorb.During his painting process, the artist deconstructs and reconstructs recognisable images from newspapers, films, historical photographs, and other media, reinterpreting them through the lens of his own experiences and memories while also creating new textural dimensions within his works. In abstracting images from their original contexts, Li has cultivated a unique visual language that invites viewers to see the world in new terms—from a different aesthetic perspective.
'To this day, this principle—of generating various meanings through intensified looking—runs like a red line throughout Li's oeuvre,' curator Hendrik Bündge writes in his essay "History as Material as History" in a 2015 catalogue for Li's exhibition at the Museo d'Arte Modema di Bologna and the Staatliche Kunsthalle Baden-Baden.
Li's latest abstractions, which will be the subject of his upcoming show at Pace in LA, reflect his stream-of- consciousness approach to painting. Seeking psychological liberation from specific notions and themes, the artist has continued refining an increasingly pure language of painting since 2020. His creative approach is informed by the relationship between existence and the existent. Li's making process for his new works is guided by his mental state— the force that drives his pursuit of freedom on the canvas.
Each work in the exhibition at Pace's LA gallery represents a sum of the artist's idiosyncratic brushstrokes, with the placements, shapes, and colours of his strokes determined by his state of mind at the moment paint meets surface. There is also a temporal quality to this generative process, since each stroke leaves its own indelible mark, even if it is covered by another stroke. For Li, these works are as much abstractions as they are portraits of his ever-evolving relationship to his chosen medium. In his ongoing exploration of what it means to create paintings about the act of painting, Li meditates on what it might mean to capture and express infinity within his compositions.
Li Songsong (b. 1973, Beijing) graduated from the Subsidiary School of the Central Academy of Fine Arts in Beijing in 1992 before going on to receive his BFA in oil painting from the Central Academy of Fine Arts in 1996. After he graduated from the Subsidiary School of the Central Academy of Fine Arts in Beijing in 1992, he went on to receive his B.F.A in oil painting from the Central Academy of Fine Arts in 1996. He has since been the focus of many publications and international exhibitions. Li Songsong joined the Gallery in 2010. The artist currently lives and works in Beijing.
Pace is a leading international art gallery representing some of the most influential contemporary artists and estates from the past century, holding decades-long relationships with Alexander Calder, Jean Dubuffet, Barbara Hepworth, Agnes Martin, Louise Nevelson, and Mark Rothko. Pace enjoys a unique U.S. heritage spanning East and West coasts through its early support of artists central to the Abstract Expressionist and Light and Space movements.
