I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Palo Alto—Pace Gallery is pleased to present an exhibition of new work by JR, the French artist and photographer known for his large-scale urban works that address socio-economic and political issues. With The Chronicles of San Francisco - Sketches, JR presents a series of works dedicated to the city and people of San Francisco. On view at Pace’s gallery in the heart of Palo Alto from 6 February–24 March 2019, with an opening reception on Tuesday 5 February, the exhibition will include portraits, works on paper, video installations, lightboxes, and etched glass works–all derived from and inspired by his ambitious mural project The Chronicles of San Francisco to be presented at the San Francisco Museum of Modern Art (SFMOMA) in Spring 2019.
Long-inspired by the work of Mexican painter Diego Rivera (1886–1957), who completed three murals in San Francisco beginning in 1931, JR has begun to imagine how a whole city and its diversity of residents can be represented through art. After his first mural of Les Bosquets, a neighbourhood near Paris where he has worked for many years, JR chose San Francisco for his next urban mural subject and the first that strives to represent an entire city. San Francisco’s long muralist tradition and its stark contrasts–featuring both immense innovation and wealth as well as one of the country’s highest rates of child homelessness–has made it a vibrant and complex site for the artist to explore and capture.
The project began in January of 2018 when JR and his team roamed San Francisco, parking their 53' trailer truck, with a photo-studio installed inside, in more than 22 different locations around the city to capture portraits of anyone passing by who wished to participate. Over the course of the project, nearly 1,200 people were filmed, photographed and interviewed; each person choosing the way they were to be represented in the mural, which is ultimately a portrait of San Francisco and its people.
Commenting on his innovative practice and this project in particular, JR says, 'In a painting, it’s usually the perspective that focuses the attention of the viewer. With this new mural technique, we break the perspective: Every person is presented at the same size, captured with the same light. No one is more important than another. It is not a group photo, but rather a group of photos. I work with the individuals as they decide how they want to be represented. The mural aims to be a picture of society, not depicting good and bad, but rather showing that both sides are present in everyone.'
In the exhibition at Pace in Palo Alto, JR showcases four new and different artistic techniques and mediums. Video installations will give visitors a perspective of the moving mural on a more intimate scale. 'Work-in-progress' pieces, including photographs and preparatory sketches and drawings, show the process of assembling the thousands of individual portraits and detailed scenery shots into one single image. Lightboxes will depict different sections of the mural in a highly vivid manner, and lastly, the etched glass artworks will underscore the unique depth and texture within the mural.
The San Francisco mural project and exhibition at Pace follows a recent monumental mural project created by JR in collaboration with TIME. In October 2018, TIME released a special report on guns in America, and in one of the most ambitious cover projects in TIME’s 95-year-history, TIME partnered with JR to photograph and film 245 Americans in an effort to capture the full scope of the nation’s gun debate in one mural. Over five months, JR and his team, along with a group of TIME journalists, travelled to three cities–St. Louis, Mo.; Washington, D.C.; and Dallas–to record, one by one, people who represent the vast range of voices in American’s gun debated. In addition to serving as the cover of TIME’s special report, JR also presented an interactive video version of the mural in spaces all over the country, including Pace’s gallery in New York.
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