MA KELU

As one of the key members of the avant-garde artist collective No Name Group during the 1970s in China, Ma’s lifelong interest has been to remain faithful to the process of painting. Grappling with different ways of working with a two-dimensional visual field, he demands complete creative freedom for his practice. Ma’s reliance on painting to create meaning has gradually led him to question detachment and even denial from the very object of his own making. The object means nothing without life, nor does the artist set any distinction between the two. In fact, art and life run parallel with one another and converge at some points to guide him. Ma claims, ‘Painting is almost a madness and impossibility. We tirelessly enjoy it, even though it gives us no path of return; painting is a way of existence, a spiritual drift.’

With respect to Ma’s search for purity in art, the intention behind Wilderness is to simulate a viewing condition of estrangement and to encourage a comparative formal reading of the artworks. On view are eight groups of paintings drawn from different periods and organised in chronological order to shed light on Ma’s disciplinary approaches toward subject matters, surface treatments, and materials. For example, a representational landscape painting will be hung next to a non-figurative abstract painting.