
Perrotin is delighted to present Emma Webster’s first solo exhibition in Paris, The Engine of Beasts. In her third show with Perrotin, Webster stages paintings alongside sculptures, so viewers may follow the representation of a beast in all its states. The guiding theme of the exhibition: The word Engine’s Latin etymon, ingenium, meaning skill or ruse, also signifies the ability to move easily from one medium to another, like a life-form striving to adapt, evolve, and survive. Between the transfiguration and fictive landscapes that serve as a barrier between the characters and the viewers, Webster reveals her interest in sentience, a combination of sentiment, sensation, and conscience.
Emma Webster’s landscape paintings teleport viewers into the otherworldly. The places she depicts, convincing and hallucinatory, merge spatial expectations with mystifying fantasy. The paintings come from a hybrid sketching-sculpting process within screen-space. Webster first constructs scenes in virtual reality, which she then embellishes with theatrical illumination, to create natural vistas that relish in artifice, drama, and distortion. Of her VR models, Webster says: “Working from within the still-life is more akin to how we go about the world. There can be no ‘outside.’“Emma Webster (b. 1989) is a graduate of Stanford University (BA, 2011) and Yale University, where she received an MFA in Painting in 2018. In 2021, Webster published Lonescape: Green, Painting, & Mourning Reality, a collection of musings on landscape and image-making in an increasingly digital world.




Emmanuel Perrotin founded his first gallery in 1989 at the age of 21. He has opened since then over 17 different spaces, with the aim of continuing to offer increasingly vibrant and creative environments to experience artists work. He has worked closely with his roster of artists, some since more than 25 years, to help fulfil their ambitious dreams and projects.

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