I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Forty years ago, Daze helped to spark the worldwide street art movement; now, he's focusing on his latest gallery show
A pioneer of New York's graffiti scene during the chaotic years of the 1970s and '80s, Chris 'Daze' Ellis is one of the few artists who made the leap from the subways and streets to the international art world. Over the past four decades, he's exhibited his work at numerous galleries, both in New York and worldwide, while his paintings have been collected by such major art museums as MoMA. Even so, he's continued to create street art murals along with more traditional canvases like the ones making up his current show at P.P.O.W. Gallery in Chelsea.
P.P.O.W. is pleased to present the gallery's first solo exhibition with Chris Daze Ellis. Daily Commute will feature paintings, drawings and pastels that reflect Daze's exploration and reflection of New York City, a subject that has always permeated his work. Daze first gained notoriety as a teenager in the late 70's and early 80's for painting on subway trains and city streets, before transitioning to paining on canvas and showing at alternative and established art spaces around the world.
Daily Commute will feature works in multiple mediums, including spray paint, oil, acrylic, and ground pumice; often all used within the context of a single painting. Daze's works simultaneously capture the energy and spontaneity of the graffiti movements, while also revealing a more meditative process and technique, with works featuring thick brush strokes and a layered use of paint that pay homage to artists like Willem de Kooning, Franz Kline, and Joan Mitchell.
The works on view capture the day to day scenes that together comprise life in New York City – the interior of a subway train, a subway platform, Times Square on a snowy evening, a streetscape in the Bronx of Brooklyn – revealing both the artist's personal history while also crediting a capsule of a particular moment in time. The paintings and drawings on view reflect the diversity and complexity of the city, often through layered works that evoke the true character of a place. With works like Eastern Parkway, Daze brings into a single frame the oversized eyes of a passerby witnessing the scene, a Hasidic man exiting a Subway stop, a Caribbean woman running errands – all set against the background of Eastern Parkway. The works take the form of snapshots captured in an abstract frame, reflecting Daze's position as an ever-observant artist and his experiences as a native New Yorker collecting memories to reinterpret and depict.
Among the works on view will be Masquerade, Portrait of W.H, a portrait of the artist's longtime friend Wendell Headley, an artist who gathers old clothes and reconstructs them to create elaborate outfits for himself. The work is part of Daze's Time Square Series, vibrant and sometimes fantastical portraits that bring together both iconic and often sometimes overlooked aspects of Times Square. Also on view will be works that subtly respond to the current political climate, such as Jackson Heights, a new painting that depicts the Queens neighbourhood, one of the most diverse neighbourhoods in all of New York City. Within a small radius, a number of different cultural backgrounds live side by side, reflecting what Daze describes as "the antithesis of everything Trump has come to symbolise so far."
While a few of the works reference Daze's history with the graffiti movement, including the interior of a subway train that features ads from the 1970s and tags from graffiti artists who were active at the time, most of the works on view are drawn from more recent history. With works like Masquerade, Daze turns to American painting, a genre that he is particularly inspired by, referencing the formal composition of American masters like Reginald Marsh, John Sloane, and Edward Hopper. Through these works Daze explores what it means to capture a personal and collective history, to distill the essence of a city, and to define the quotidian elements that ultimately share the character of a place.
Chris Daze Ellis (b. 1962) lives and works in New York City. He is represented in the permanent collections of The Museum of Modern Art, New York; The Brooklyn Museum; The Museum of the City of New York; The Groninger Museum, Netherlands; and The Ludwig Museum in Budapest, Hungary. In 2015 he was the subject of the solo exhibition The City is My Muse at the Museum of the City of New York, and in 2014 the exhibition Street Talk: Chris Daze Ellis in Dialogue with the Collection was on view at the Addison Gallery of American Art at the Phillips Academy, Andover, MA. He has been included in solo exhibitions around the world, including in Europe, Asia, South America, and throughout the U.S. His work has been exhibited in commercial and alternative galleries around the world since 1981, including at: the Museum of Contemporary Art, Los Angeles; The Grand Palais, Paris; Bronx Museum of the Arts, New York; The Edgewood Gallery at Yale University, New Haven, Ct; the Wadsworth Atheneum, Hartford, Ct; and the Foundation Cartier, Paris, among many others. In 2015 Schiffer Books published Dazeworld: The Artwork of Chris Daze Ellis.
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