
This October at Sadie Coles HQ Jordan Wolfson presents a new large-scale sculptural animation that signals the artist’s ability to blend the childlike with the obscene. With a sense of playfulness and horror, Wolfson’s singular work induces an active encounter of the uncanny; a mirror is situated within an ornamented bear’s enigmatic expression and surrounded by animated text to create a recurring visual paradox. Employing animation, digital imaging and animatronic sculpture, Wolfson’s recent work has centred on ideas of literal and virtual reality, and the distinction between the real and the imagined – especially the projection of inner impulses (desire, optimism, violence or guilt) into constructed selves or scenarios. The subject-matter addressed within his practice is often confronted with a strong sense of urgency – demanding the viewer enter into the unfiltered dialogue and examination of the state of the world. In this way, Wolfson’s work also functions as a social critique, interrogating the discomforts and deeply held flaws within the societal structures and social practices embedded within Western culture.
Private view: Monday 7th October, 6-8pm
Sadie Coles HQ, 8 Bury Street
Jordan Wolfson’s practice in the past ten years has included video, film, installation, performance, print and photography. Since 2009 he has focused on an ambitious series of animations that could be considered a trilogy, _Con Leche, _2009, _Animation Masks, _2011, and _Raspberry Poser, _2012. Presented here is Con Leche, in which an army of cartoon Diet Coke bottles filled with milk parade across an empty city (real-life footage of Detroit), slopping their contents as they stroll. Installed in a darkened space which recreates the immersive ‘black box’ of a picture house, the video brims with cinematic references: the bottles imply an homage to the dancing brooms of Disney’s Fantasia. Wolfson also injects elements of documentary, advertising and music video, exposing the stylistic foibles and formulae of each. The scopophilic focus on the milk bottles, initially suggestive of advertising, begins to evoke the roving camera of pornography. The soundtrack is likewise a hybrid which produces continual changes of ‘footing’: a female actor recites texts lifted from the internet, while Wolfson interrupts her with his own directions, adding distortion to the already distorted world presented and unravelled in Con Leche. Jordan Wolfson (b. 1980, New York) lives in New York and Berlin; he studied at the Rhode Island School of Design, Providence.





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