
In James Joyce’s Ulysses, Leopold Bloom wanders around Dublin throughout the day. When you sweep the ground or floor with a broom, it makes a swishing sound. The ground and floor is like a record, and the broom is like the needle of a record player. The Earth is like a giant record, and we generate sounds every day with our feet, like the needle on a record.
—Yukio FUJIMOTO, September 2024
At ShugoArts, we will be hosting a solo exhibition of Yukio Fujimoto, marking his first show in four years since the 2020 online exhibition. In this exhibition, we will cover the gallery floor with 800 unglazed tiles and present BROOM (TILE). This work comes to life by allowing the viewers to walk on the tiles themselves, while the process of their weight gradually causes the tiles to make sound and crack. Our bodies, like the needle drawn to a record, are constantly in contact with the Earth’s surface due to gravity, generating various sounds through friction and vibration. The tile work was first presented in 2002 at a gallery in St. Ives, a pottery town in southwestern England. Since then, it has been reinterpreted and recreated in various locations, including the Otani Memorial Art Museum in Nishinomiya and as part of the Growing from the Soil art project in Mino. This will be the first presentation of the series in Tokyo, offering a rare opportunity for attendees to participate in the artwork.
Additionally, this exhibition will feature new pieces from Fujimoto’s long-running SUGAR series. In SUGAR, cubes of sugar are placed in a glass tube and spun, causing the sugar to gradually collide and break apart, ultimately transforming into a pure white granulated form.
Since the 1980s, Yukio Fujimoto has been creating works that provoke new perceptions. These include CHAIR WITH EARS, which allows the audiences to listen to the surrounding environment and the exhibition space through artificial ears that are almost two meter-wide, and DELETE, where the viewers visually recognie labels on grooveless records so that they can play music in their heads. In this exhibition, we will explore how readymade objects transform into different forms through the invisible forces of gravity and rotational force, prompting questions about the nature of the things we perceive as everyday realities. Please join the exhibition and experience the works.
ShugoArts, established by Shugo Satani in 2000, values its locality, selects its artists regardless of their time and place, and sends out its activities from Tokyo.
Today, it has gotten much easier to appreciate various artworks of all times and places and their meanings, as well as spaces exhibiting artworks, need to be redefined, including contemporary art galleries. ShugoArts prioritises how to realise artists’ own growth as artists or make the most of their accomplishments. In order to nurture their abilities and possibilities, we provide our space for artists to express themselves freely and follow their artistic journeys side by side. Under any circumstances, our mission is to work and grow together with artists who ceaselessly create artworks, which shine a light on life and give it validation.
ShugoArts holds about 7 exhibitions a year and participates in national and international art fairs while simultaneously managing commissions for public spaces and organising performance and talk events. In addition, we also would like to be a part of art histories at large by creating invaluable archives and assisting art institutions.

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