
The paintings of Andreas Schulze (b. 1955) and Salvo (1947–2015) depict intriguing worlds unlike any other. Across vibrant landscapes and eccentric interiors, their unique conceptual approaches to painting evolved over decades of experimentation with color, light and form. Working in Turin, Salvo made a radical departure from Arte Povera circles, first to text-based conceptual art and then in 1974 to painting that looked to art historical traditions from Giotto to Surrealism. In Cologne in the 1980s, Schulze developed a practice that balances representation and abstraction and draws also from the past, while infusing his surreal scenes with humor and irony. Monika Sprüth and Philomene Magers are proud to present an exhibition of new works by Schulze alongside paintings by Salvo, bringing into focus their parallel trajectories and contributions to the discourse of contemporary painting. Originally conceived by the late Pasquale Leccese, who knew both artists intimately, this exhibition is dedicated to his memory.




Sprüth Magers has expanded from its roots in Cologne (Germany) to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.

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